Monthly Archives: October 2013

Looking for an Edith Wharton ghost story for Halloween?

Listen to David Tennant’s reading of “Bewitched”

http://www.david-tennant.com/sitebuildercontent/sitebuilderfiles/vamp3.mp3

Here’s “The Lady’s Maid’s Bell” at online for free at Project Gutenberg

http://www.gutenberg.org/files/4519/4519-h/4519-h.htm#bell

and Google Books

http://books.google.com/books?id=dtG-8295hSkC&printsec=frontcover&dq=%22the+descent+of+man+and+other+stories%22&hl=en#v=twopage&q=lady’s%20maid’s%20bell&f=false

Edith Wharton in the News: The Age of Innocence Opera and Lectures in NYC on 11.17.2013

Selected scenes from The Age of Innocence will be performed on Sunday, November 17, 2013 at 3pm at Christ and St. Stephen’s Church, 120 W. 69th Street in New York City. Admission is free. For more information on the opera and this performance, please visit: http://davidowencarpenter.com/the-age-of-innocence/

Lectures:

From David Carpenter:
The Age of Innocence: A Composer’s View on Adapting the Novel for the Operatic Stage

I first became acquainted with The Age of Innocence in the mid-1990s, when I saw the wonderful film adaptation of the novel by Martin Scorsese. Soon after that, I read the novel and was completely captivated by this story of suppressed emotion and thwarted love. At that time, I had been composing music for about nine years (having begun when I was fourteen), and even then I thought of what a wonderful opera the novel would make. I knew, however, that it would take several years before I had the experience as a composer to tackle the daunting task of adapting Wharton’s masterpiece into an opera. It was in 2009, when I was nearing the end of my doctoral studies in music composition at Temple University in Philadelphia, that I had to decide on a subject for my dissertation—for someone getting a degree in music composition, this would be a major musical work. For me, it had to be Age. Continue reading

CFP: Edith Wharton and the Natural World (ALA; Deadline 1.15.2014)

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Call for Papers, American Literature Association (ALA)
Washington, DC
May 22-25, 2014
Edith Wharton and the Natural World
The Edith Wharton Society invites papers addressing Edith Wharton’s relationship to the natural world.  Presentations might address Wharton’s engagements with nature, nature writers, landscapes, the environment, and so on.  Especially welcome will be papers focusing on Wharton’s work with dogs (e.g., Society for the Prevention of Cruelty to Animals, such fictional works as “Kerfol,” her own beloved papillons, etc).  Please send abstracts and a brief bio to Emily Orlando at eorlando@fairfield.edu by January 15, 2014.

Edith Wharton in the News: The Mount and its Furnishings

From the Boston Globe

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The Mount, 2012. Photo by Donna Campbell.

ILenox, The Mount is the home and grounds of Edith Wharton (1862-1937) whose books were popular enough during her heyday that royalties paid for the house and its furnishings — no mean feat for a woman author at the time. The sprawling house and grounds (49 acres, down from its original 113) have since been used for other purposes or closed to the public from time to time, but The Mount has widened its appeal by becoming the residence of the summer theater group Shakespeare & Company, being the site of a summer-long outdoor sculpture exhibition, as well as being rented out for weddings and other events.

Like her good friend and fellow author Henry James, Wharton traveled extensively in Europe and developed a strong affection for European gardens and great houses, and she is believed to have contributed much of The Mount’s design. Her 1897 book “The Decoration of Houses” expressed many of her ideas about functionality, proportion, and symmetry, and Wharton “poured her heart and soul into The Mount,” says Susan Wissler, the executive director. “The house and grounds are autobiographical and provide a window into her mind and passions.”

Continue reading