From Emily Orlando:
Call for Papers: Dickinson Institute
On Friday, August 8th, 2014, the EDIS “Dickinson Institute” will be held in Amherst, Massachusetts. The topic is “Emily Dickinson and New England Writers.” Individuals doing work on Dickinson’s relationship to other writers of her region should send 250-word abstracts of a paper to Elizabeth Petrino (EPetrino@fairfield.edu) and Alexandra Socarides (firstname.lastname@example.org) by February 1, 2014. Accepted participants will be notified by Feb. 28th and will be asked to circulate completed, conference-length (8-10 page) papers to a small group by June 15th. Members will meet at the Institute with this group to discuss their work in detail. The Institute will also involve a plenary speaker and a gathering of all Institute members at its close to reflect on their work and the larger themes of the conference. The Institute is scheduled for the first day of the Emily Dickinson Annual Meeting, which all participants are welcome to attend.
The Edith Wharton Society will sponsor two panels at the American Literature Association in 2014.
1. Call for Papers, American Literature Association (ALA)
May 22-25, 2014
Edith Wharton and the Natural World
The Edith Wharton Society invites papers addressing Edith Wharton’s relationship to the natural world. Presentations might address Wharton’s engagements with nature, nature writers, landscapes, the environment, and so on. Especially welcome will be papers focusing on Wharton’s work with dogs (e.g., Society for the Prevention of Cruelty to Animals, such fictional works as “Kerfol,” her own beloved papillons, etc). Please send abstracts and a brief bio to Emily Orlando at email@example.com by January 15, 2014.
Call for Papers, American Literature Association (ALA) Washington, D.C.
May 22-25, 2014
Wharton and Masculinities
The Edith Wharton Society invites paper proposals that consider Wharton’s interest in constructions of masculinity. Papers might address normative and non-normative masculinities, historical approaches to men’s cultures and subcultures, male figures in relation to Wharton’s narrative technique, men’s imagined and real spaces (including, but not limited to, interiors, decors, architectural plans, and gardens), nationalized iterations of manhood, and social as well as homosocial relationships between men in Wharton’s work. Send proposals and one-page CVs to Melanie Dawson at firstname.lastname@example.org by January 15, 2014.
Frorm The Wall Street Journal
Bride and Conqueror
The Gilded Age has memorialized many successful and pruriently colorful businessmen in fact and fiction, but one of the canniest and most ruthless of them is a woman. Edith Wharton’s “The Custom of the Country” turned 100 this year, and the adventures of its heroine, Undine Spragg, remain as brazen today as when she first advanced upon the American scene.
Ms. Wharton set nearly all of her novels in the drawing rooms and country estates of the New York rich. In her hands, high society became a decorous killing floor, and a marketplace as freewheeling as the industrial postbellum economy in the U.S. at large.
The market in Ms. Wharton’s books is the marriage market. Ms. Wharton plumbed the analogy between the social and business worlds deeply, rendering courtship and marriage as cold and calculated exchanges for profit. “The emotional center of gravity’s not the same” as in the old days, notes one of the characters in “Custom.” Once it was love, but now it’s business. Ms. Wharton’s novels of manners are not marriage plots so much as business narratives.
[read more at the link above]
The chapters on the works of Nathaniel Parker Willis, E.D.E.N. Southworth, Gertrude Atherton, John Cournos, Edith Wharton, Muriel Rukeyser, Langston Hughes, Edwin Rolfe, John Ashbery, Adrienne Rich, Richard Wilbur, Allen Ginsberg, Harriet Welty Rochefort, and Suzy Gershman, explore the impartial critical outlook that American writers acquired in different parts of Europe, from 1850 to the present, and used as a lens to view Europe and America. Focusing on some less familiar writers, they reveal intriguing aspects of the lives and works of American writers than those of the customarily anthologized expatriates. Offering a broad range of American experiences in Europe in an extensive span of time, the book widens the history of the transatlantic cultural and literary dialogue between America and Europe.
Scenes from David Carpenter’s opera, The Age of Innocence, will be performed this Sunday, November 17th, at 3pm, at Christ & St. Stephen’s Church, 120 W. 69th Street in New York City. Admission is free. For more information about the opera, please visit: http://davidowencarpenter.com/the-age-of-innocence.
From The Observer:
In her new biography Bernard Berenson: A Life in the Picture Trade, which was just published by the Yale University Press, Rachel Cohen offers up a nice little anecdote about the mutual distaste that the Old Master scholar Bernard Berenson and his good friend Edith Wharton had for Leonardo da Vinci and in particular his Last Supper (1494–98).
. . .
Wharton was enthused, writing to Berenson in a letter:
I must dash off a word of gratitude & rejoicing; for on the very first page I find are ‘excretions’ of the Last Supper. Ever since I first saw it (at 17) I’ve wanted to bash that picture’s face, & now, now, at last, the most-authorized fist in the world has done the job for me! Hooray!!!
Listen to David Tennant’s reading of “Bewitched”
Here’s “The Lady’s Maid’s Bell” at online for free at Project Gutenberg
and Google Books
Newly received at the Wharton Society site:
Solan, Yair. “‘Striking Stereopticon Views’: Edith Wharton’s ‘Bunner Sisters’ and Nineteenth-Century Magic Lantern Entertainment.” Studies in American Naturalism 7.2 (2012): 135-150. Print.
Butterworth-McDermott, Christine. “Lustful Fathers and False Princes: ‘Cinderella’ and ‘Donkeyskin’ Motifs in Edith Wharton’s Summer and Katherine Mansfield’s Short Stories. Katherine Mansfield Studies. 4.1 (Fall 2012): 63-78.
Scanlan, Sean. “Going No Place? Foregrounding Nostalgia and Psychological Spaces in Wharton’s The House of Mirth.” Style 44.1-2 (2010): 207-229. Print (and online at: http://www.engl.niu.edu/ojs/index.php/style/article/view/113).
Please list Edith Wharton at Home: Life at The Mount with your recent publications. It was written by the architectural historian Richard Guy Wilson with a foreword by Pauline Metcalf. John Arthur did the contemporary photography.
The book was published in September 2012 by Monacelli Press and is listed on their website.
Gilding the Ages: Edith Wharton’s Berkshire Sanctuary
JARED BOWEN: Even today, Edith Wharton occupies a place as one of America’s leading literary ladies. She was born into the upper crust of old New York in the mid-1800s—a member of high society who also exposed it through the prism of her pen. Wharton wrote more than 40 books in 40 years including “Ethan Frome” and “The Age of Innocence” for which she became the first woman awarded the Pulitzer Prize for Fiction. Today she is also remembered for her home, The Mount. And if ever a house could serve as an autobiography, The Mount is it. Situated on a hill overlooking a lake in Lenox, Massachusetts, it was conceived by Wharton from the ground up. She dreamed its location, guided its aesthetic principles and designed her elaborate gardens. It was in a sense, her own “House of Mirth”—which she wrote while living here.
Continue reading: Video and transcript at http://www.pbs.org/newshour/bb/entertainment/july-dec13/wharton_09-14.html