New Articles 2016

Drizou, Myrto. “‘Go Steady, Undine!’ The Horror of Ambition in Edith Wharton’s The Custom of the Country.” Gothic Landscapes: Changing Eras, Changing Cultures, Changing Anxieties. Eds. Sharon Yang and Kathy Healey. New York: Palgrave Macmillan, 2016. 125-45.

Malmgren, Carl D. “Art and Life in Edith Wharton’s ‘The Muse’s Tragedy.'” Mosaic: An Interdisciplinary Critical Journal, vol. 49, no. 4, 2016, pp. 129-144, https://muse.jhu.edu/article/640855.

Tisdale, Bethany Dailey. Creating the Self: Women Artists in Twentieth-Century Fiction. 2016.

Bex, Sean. “Marketing Professionalism: The Transatlantic Authorship of Edith Wharton.” Neophilologus, vol. 100, no. 3, 2016, pp. 503-519.

Goldsmith, Meredith. “Of Publicity, Prizes, and Prestige: The Middle-Zone of the Marketplace in Hudson River Bracketed.” American Literary Realism, vol. 48, no. 3, 2016, pp. 232-250, http://muse.jhu.edu/article/614593.

Louvel, Liliane. “Declinaisons Et Figures Ekphrastiques: Quelques Modestes Propositions [Special Issue].” Arborescences: Revue d’Etudes Francaises, vol. 4, 2016, pp. 15-32, http://www.erudit.org/revue/arbo.

Grant, David. “Trusting America: Undine Spragg’s Revolutionary Break in the Custom of the Country.” Canadian Review of American Studies/Revue Canadienne d’Etudes Americaines, vol. 46, no. 1, 2016, pp. 86-115, http://muse.jhu.edu/article/614919.

Clarke, Michael Tavel. “Between Wall Street and Fifth Avenue: Class and Status in Edith Wharton’s the House of Mirth.” College Literature, vol. 43, no. 2, 2016, pp. 342-374, http://muse.jhu.edu/article/614319.

Wagner, Johanna M. “The Conventional and the Queer: Lily Bart, an Unlivable Ideal.” SubStance: A Review of Theory and Literary Criticism, vol. 45, no. 1 [139], 2016, pp. 116-139, http://muse.jhu.edu/journals/substance/v045/45.1.wagner.html.

Pierpont, Claudia Ruth. American Rhapsody: Writers, Musicians, Movie Stars, and One Great Building. Farrar Straus & Giroux, 2016.

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