From First Things, https://www.firstthings.com/web-exclusives/2019/07/what-she-asks-she-obtains
Though Adams was anxious about the reckless acceleration of history, his friend Edith Wharton mashed her foot down on the accelerator in her Motor Flight Through France. Dogmatically confident in her own taste, she shunned the popular artworks starred in guide books. She stopped in Rouen and stumbled upon Gerhard David’s Virgin Among The Virgins. She named it “The Virgin of the Grapes” for the “heavenly translucence of that bunch of grapes plucked from the vine of Paradise” held by the Infant Jesus on the Virgin’s lap. “It is part of its very charm to leave unsettled, to keep among the mysteries whereby it draws one back,” she wrote. Wharton drove on to the next town, but the Virgin stayed with her. Father John LaFarge, S.J., remembers being quietly interrogated about his religious beliefs by Wharton “as if she were looking for something desperately needed, but only vaguely knowing her own needs.”
Edith Wharton, the first woman to win the Pulitzer Prize for Fiction with her novel The Age of Innocence, was also a brilliant poet. This revealing collection of 134 poems brings together a fascinating array of her verse—including fifty poems that have never before been published.
The celebrated American novelist and short story writer Edith Wharton, author of The House of Mirth, Ethan Frome, and the Pulitzer Prize–winning The Age of Innocence, was also a dedicated, passionate poet. A lover of words, she read, studied, and composed poetry all of her life, publishing her first collection of poems at the age of sixteen. In her memoir, A Backward Glance, Wharton declared herself dazzled by poetry; she called it her “chiefest passion and greatest joy.”
The 134 selected poems in this volume include fifty published for the first time. Wharton’s poetry is arranged thematically, offering context as the poems explore new facets of her literary ability and character.
Here is the link to the publisher’s page: https://www.simonandschuster.com/books/Selected-Poems-of-Edith-Wharton/Edith-Wharton/9781501182839
Probably the most important thing to say is that the book has 134 of 200 known poems by Edith Wharton, 50 of them published for the first time.
New Books: Women Adapting: Bringing Three Serials of the Roaring Twenties to Stage and Screen
Author: Bethany Wood
Women Adapting: Bringing Three Serials of the Roaring Twenties to Stage and Screen
University of Iowa Press, 2019
Women Adapting examines three well-known stories that debuted as women’s magazine serials: Anita Loos’s Gentlemen Prefer Blondes, Edith Wharton’s The Age of Innocence, and Edna Ferber’s Show Boat. Through meticulous archival research, this study traces how each of these beloved narratives traveled across publishing, theatre, and film through adaptation. The three chapters devoted to Wharton’s The Age of Innocence contain new research on the lost 1920s film adaptation as well as the 1928 stage version. Bethany Wood documents the formation of adaptation systems and how they involved women’s voices and labor in modern entertainment in ways that have been previously underappreciated. What emerges is a picture of a unique window in time in the early decades of the twentieth century, when women in entertainment held influential positions in production and management.
Via Anna Girling. Note: it’s behind a paywall, so I have no idea what’s beyond this excerpt.
Who was Edith Wharton’s father?
As research assistant to R. W. B. Lewis, the prize-winning biographer of Edith Wharton, Marion Mainwaring – assigned in 1969 to investigate Wharton’s “Parisian phase” – found herself knocking on forbidding doors in unpredictable arrondissements of Paris, in far-flung hôtels de ville and at a remote psychiatric hospital in the French countryside as she doggedly pursued every shred of information she could find about a wily, elusive American expatriate named William Morton Fullerton. Fullerton (1865–1952), a Harvard graduate and a correspondent for The Times in Paris, was a roué and conman, a cosmopolitan libertine with a proclivity for the upper crust and satyr-like propensities for bisexual romantic entanglements (a wistful Henry James opined that he was “dazzling” but “not kind”), and chronically in debt because he was being blackmailed by a former mistress. He was also briefly, but pivotally and inexplicably, Wharton’s lover.