The New Edith Wharton Studies uncovers new evidence and presents new ideas that invite us to reconsider our understanding of one of America’s most highly acclaimed, versatile, and prolific writers. The volume addresses themes that have previously been missed or underdeveloped, and examines areas where previous scholarship does not take account of key, contemporary issues: Wharton and ecocriticism, Wharton and queer studies, Wharton and animal studies, Wharton and whiteness, and Wharton and contemporary psychology. Essays explore Wharton’s treatment of the poor in her emerging career, the ways in which French thinkers helped her envision community, the importance of Greece to Wharton, her transnationalism, the ongoing revelations of the author’s archives, and new perspectives on her agency in the literary marketplace. It addresses key themes and examines contemporary issues, while reassessing Edith Wharton’s life and career.
Introduction pp 1-12
By Jennifer Haytock, Laura Rattray
Part I – Self and Composition pp 13-62
- Chapter 1 – Creative Process and Literary Form in Edith Wharton’s Archive pp 15-31 By Paul Ohler
- Chapter 2 – Wharton’s Letters: Glimpses of the Whole Edith Wharton pp 32-47 By Julie Olin-Ammentorp
- Chapter 3 – Edith Wharton and the Business of the Magazine Short Story pp 48-62 By Sarah Whitehead
Part II – International Wharton pp 63-110
- Chapter 4 – Edith Wharton’s Odyssey pp 65-79
By Myrto Drizou
- Chapter 5 – Edith Wharton’s French Engagement pp 80-95
By Virginia Ricard
- Chapter 6 – Edith Wharton and Transnationalismpp 96-110
By Donna Campbell
Part III – Wharton on the Margins pp 111-172
- Chapter 7 – Edith Wharton’s Unprivileged Lives pp 113-128
By Laura Rattray
- Chapter 8 – Wharton, Insurance Culture, and Pain Management pp 129-142
By Jennifer Travis
- Chapter 9 – Edith Wharton’s Humanimal Pity pp 143-157
By Shannon Brennan
- Chapter 10 – Edith Wharton and the Writing of Whitenes spp 158-172
By Jennifer Haytock
Part IV – Sex and Gender Revisited pp 173-230
- Chapter 11 – Women, Art, and the Natural World in Edith Wharton’s Works pp 175-188
By Gary Totten
- Chapter 12 – Wharton and the Romance Plotpp 189-201
By Linda Wagner-Martin
- Chapter 13 – Masculine Modernity: Fathers, Sons, and Generational Absolution in Wharton’s Fiction pp 202-216
By Melanie Dawson
- Chapter 14 – Wharton’s Wayward Girls pp 217-230
By Meredith Goldsmith
The Edith Wharton Murders is due out in its new edition with an introduction and foreword June 9th.
Nick Hoffman, desperate to get tenure, has been saddled with a thankless task: coordinating a conference on Edith Wharton that will demonstrate how his department and his university supports women’s issues. There’s been widespread criticism that SUM is really the State University of Men. Problem is, he’s forced to invite two warring Wharton societies, and the conflict between rival scholars escalates from mudslinging to murder. Nick’s job and whole career are on the line unless he can help solve the case and salvage the conference.
“Is vulgar literary taste sufficient motive for murder? Actually, killing is too kind for the vindictive scholars in Lev Raphael’s maliciously funny campus mystery The Edith Wharton Murders.”
—Marilyn Stasio, The New York Times Book Review [Read the full review]
Edith Wharton and Willa Cather wrote many of the most enduring American novels from the first half of the twentieth century, including Wharton’s The House of Mirth, Ethan Frome, and The Age of Innocence, and Cather’s O Pioneers!, My Ántonia, and Death Comes for the Archbishop. Yet despite their perennial popularity and their status as major American novelists, Wharton (1862–1937) and Cather (1873–1947) have rarely been studied together. Indeed, critics and scholars seem to have conspired to keep them at a distance: Wharton is seen as “our literary aristocrat,” an author who chronicles the lives of the East Coast, Europe-bound elite, while Cather is considered a prairie populist who describes the lives of rugged western pioneers. These depictions, though partially valid, nonetheless rely on oversimplifications and neglect the striking and important ways the works of these two authors intersect.
The first comparative study of Edith Wharton and Willa Cather in thirty years, this book combines biographical, historical, and literary analyses with a focus on place and aesthetics to reveal Wharton’s and Cather’s parallel experiences of dislocation, their relationship to each other as writers, and the profound similarities in their theories of fiction. Julie Olin-Ammentorp provides a new assessment of the affinities between Wharton and Cather by exploring the importance of literary and geographic place in their lives and works, including the role of New York City, the American West, France, and travel. In doing so she reveals the two authors’ shared concern about the culture of place and the place of culture in the United States.
Sheila Liming explores the connection between libraries and self-making in late nineteenth- and early twentieth-century American culture, from the 1860s to the 1930s, focusing on Edith Wharton and her remarkable collection of books. She argues for a multifaceted understanding of authorship by linking Wharton’s literary persona to her library, which was, as she saw it, the site of her self-making.
A generous reassessment of Edith Wharton and materialized cultures. With this exceptional interpretation of the modern bookshelf, Sheila Liming offers page after page of unanticipated insight into gender and literary production. This is mandatory reading for those of us committed, like Wharton, to harboring ‘an ethos of collecting’—and for those of us, like this brave critic, committed to Wharton herself.
A new book on Edith Wharton will be featured each day for the next week at the Edith Wharton Society site: https://edithwhartonsociety.wordpress.com/category/new-books/
If you’d like to see your book at the site, email me the information and link at firstname.lastname@example.org.
The New Articles page has recently been updated, too: https://edithwhartonsociety.wordpress.com/new-books-and-articles/2012-2014-new-articles/
Edith Wharton as Playwright
at the American Literature Research Seminar
hosted by Rothermere American Institute, Oxford
A panel with Laura Rattray (Glasgow), Mary Chinery (Georgian Court), and Daniel Abdalla (PhD candidate, Oxford).
Thursday, 28 May 1600-17:30
Dear Wharton Society,
I hope you are well. My colleague, Alice Kelly, suggested that I forward you this poster for our seminar on the subject of Edith Wharton as playwright. It features the scholars Laura Rattray and Mary Chinery who recently found the long-lost Wharton play, The Shadow of a Doubt. Should your members be interested, they are welcome to contact me (as listed on the poster) to join.
2020.05.28 ALRS Edith Wharton
Via Alan Price:
Martha Banta, Distinguished Professor of English, Emerita, at the University of California, Los Angeles, died on March 31, 2020 at her home in Pasadena, where she had been convalescing after a fall. She was 91 years old. An iconoclastic and prolific scholar of American literature and culture, Professor Banta published eight books on a wide range of subjects, four of them since her retirement from teaching in 1998. At the time of her death, she had completed a ninth manuscript about Plato’s influence in literary history and had been working on a tenth, about the American love of “little wars.” Banta was throughout her career a scholar of Henry James, the subject of her first book, Henry James and the Occult, and wrote the introduction to one volume of his complete letters, a continuing project at the University of Nebraska Press. For Penguin and Oxford World Classics, Banta edited and introduced works by James, Edith Wharton, and Thorstein Veblen. She was also Associate Editor of the Columbia Literary History of the United States and Editor and contributor to The Harper American Literature anthology.
Read the rest at https://english.ucla.edu/wp-content/uploads/Martha-Banta-Obituary.pdf