After listening to “The Beast” in its entirety, your hunch that Payton and Grams are mistaken would seem to be by substantiated by the similarities between Agate’s adaptation and Wharton’s 1908 story “The Choice” (first published in _The Century Magazine_ here: http://www.unz.com/print/Century-1908nov-00032/) and republished in her 1916 collection _Xingu and Other Stories_ (available online here: https://bit.ly/2tfoyKv). While Act I of the adaptation (including the accident, the dead man in the road, the dead man’s son seeking revenge, and the police investigation) is almost entirely Agate’s invention, the first part of Act II and much of Act III closely follow the plot of Wharton’s “The Choice” and directly quote her dialogue on numerous occasions.
There is a faint possibility—since the central character in “The Beast” claims, at one point, that he hit a dog (not a man) in the road and Wharton’s “The Blond Beast” includes an important episode involving an injured dog in the road—that Agee’s first act may have been partially inspired by Wharton’s other story. The similarities between the two titles could, however, be entirely coincidental, since it’s made clear in the course of “The Beast” that its title is (at least in part) an allusion to Hamlet’s soliloquy (quoted here from the 1604 Second Quarto, Folger Shelfmark: STC 22276) in which he exclaims, “What is a man / If his chiefe good and market of his time / Be but to sleepe and feede, a beast, no more:” (http://www.quartos.org/main.php).
Best of luck with your book,
I’m hoping that you or someone in your organization would be able to help me identify a particular Edith Wharton story.I am writing a book about the CBS Radio Mystery Theater, a radio drama anthology that aired from 1974 through 1982. In 1979, the series broadcast an episode that they explicitly represent as being “adapted from a story by Edith Wharton.” Unfortunately, they do not specify which story.
The plot of the radio drama concerns a wealthy woman who recently married a selfish man. He has already lost much of her money and aims to lose more. She has fallen in love with his friend and attorney. The husband strikes and kills a man in a hit and run. The police investigate and suspect him. The victim’s son wants to find the killer. The husband becomes more selfish and intolerable. His wife and the attorney discuss killing him. He kills the attorney, Finally the son of the man killed in the hit and run murders the husband in revenge.
Do you have any thoughts about which, if any, Edith Wharton story this adaptation resembles, even if only vaguely? I’d be grateful for any help that you or members of you group might be able to provide. Please feel free to share my note with others who might have some ideas.
Update 2/2/19 from John Slavney
Thanks much for your help in solving this mystery. It’s my theory that Payton and Grams are mistaken and the only similarity is in the title. I am scouring Wharton’s short stories presently and think it’s just a matter of time before the experts or I come up with a better match!
The theory that it’s a loose adaptation based on generalized Nietzchean themes seems a bit too generous, IMHO.
I’ll post any findings or theories in the forum.
Thanks again for your interest and assistance! –John Slavney
Hi folks! My name is Lily Curtis, and I am a high school teacher at Shepherd Hill Regional High School in Dudley, Massachusetts. I teach two different sophomore classes who are both currently reading Ethan Frome. My plan for an end of unit assessment is a piece of narrative writing where students either extend the story or change the ending as the time period switches back to that of the present with the narrator. I want them to include narrative elements and dialogue appropriate to characterization. I would love to involve the society in some way to make the assignment more “real” for my students and get them writing for an authentic audience. If anyone would be available to come into the school as a guest member to listen to student adaptations when they are completed, it would be an amazing help! If anyone has additional ideas of how they would like to be involved, or come in and help during a writer’s workshop leading up the due date, that would be awesome! Feel free to email me separately!
Name: Lily Curtis
I am currently an undergraduate at the University of Suffolk in the UK and in my second year of a BA Hons in English. Our current assignment is an overview and appraisal of a significant short story writer and I have chosen to write about Edith Wharton.
Would you therefore be able to suggest why Edith Wharton is so significant in the field of Short Story writers and why the popularity of her short stories still endures. Also, if you think her short stories were instrumental in bringing about social awareness and change for women?
Thank you very much in advance.
Hello Wharton-loving friends,
I’m a high school teacher about to move my students from a unit on Jane Eyre into American literature including Fitzgerald, Hemingway, and some contemporary writers. I wish we had time to read Ethan Frome, but we don’t. Is there a Wharton short story you would particularly recommend as relatively accessible, relatively short, and interested in the matters of gender and class that interest my students?
Although I read Edith Wharton’s novel The Age of Innocence (1920) before reading her novel The House of Mirth (1905),
I am curious to know in which book and in which chapter does the text for the illustration that reads…
“She lingered on the broad stairway, looking down into the hall below”, appear?
This illustration is the frontispiece for The House of Mirth
and appears opposite the title page; I’ve just added this information, which wasn’t available before. It is from Chapter 3, page 38 of the first edition. You can see it and other illustrations at http://public.wsu.edu/~campbelld/wharton/hmirth1.html
‘The House of Mirth’ is one of my favourite films. I will admit to being a big Gillian Anderson fan but I thought the whole cast was fantastic.
I work on projects for the Scottish Mental Health Arts and Film Festival here in Inverness and I think the story of Lily Bart is still relevant in this day and age.
Therefore I was enquiring if the rights were available to produce a play based on the book and film.
I look forward to hearing from you,
Reply: Although the novel The House of Mirth is in the public domain now, questions of rights and permissions need to go through the Watkins/Loomis Agency; their address is on the FAQ page.
For my master paper cultural sciences I am studying Edith Wharton’s The Age of Innocence and Willa Cather’s A Lost Lady.
The focus of my study has become the question whether there are apparent new woman aspects in the main characters in these two novels. That means studying and researching literature about these authors but also about the society they lived in and the literature of that time. I have access to the databases of Ghent University and of the Dutch Open University and I read about the recent publications of The Edith Wharton Society but up until now I cannot find a clear statement of Edith Wharton about the new woman phenomena. I wonder whether she made such a statement or published her opinion about it. Could you give me some advice where to find some traces?
I am much obliged for your help.
Gijs den Dubbelden
I am a senior English Major, with a Literature Concentration. I am currently at work on my thesis which is concerned with gender and sexuality in Edith Wharton’s House of Mirth.
I am looking into conferences where I can present my research, and am inquiring if there are currently plans for a Wharton conference in 2018 sponsored by the Edith Wharton society.