New Articles

Edith Wharton: New Articles 2012-present

Information derived from the MLA Bibliography, WorldCat, and email announcements sent to the site. Since there is no paid staff for the site to search out articles, if you want your article to appear, please send it to or use the online contact form.

New Books
New Articles


Seitler, Dana. “Willing to Die: Addiction and Other Ambivalences of Living.” Cultural Critique, vol. 98, 2018, pp. 1-21,

Mitchell, Lee Clark. “Enamored with an Embodied Style in Edith Wharton’s Age of Innocence.” Literary Imagination: The Review of the Association of Literary Scholars and Critics, vol. 20, no. 2, 2018, pp. 201-214.

Butchard, Dorothy. “‘Speaking Distance’: Fantasies of Immediacy and the Transatlantic Telegraph.” Wenshan Review of Literature and Culture, vol. 11, no. 2, 2018, pp. 97-119.

Port, Cynthia. “Rereading the Future.” PMLA: Publications of the Modern Language Association of America, vol. 133, no. 3, 2018, pp. 640-646,

Elaman-Garner, Sevinc. “Feminism, Dialogism and the (in)Definable Woman in Edith Wharton’s the House of Mirth.” Interactions: Ege Journal of British and American Studies/Ege Ingiliz ve Amerikan Incelemeleri Dergisi, vol. 27, no. 1-2, 2018, pp. 53-64.

Evron, Nir. “”Interested in Big Things, and Happy in Small Ways”: Curiosity in Edith Wharton.” Twentieth Century Literature, vol. 64, no. 1, 2018, pp. 79-100,

Yagcioglu, Hulya. “Textual Museums in Edith Wharton and Orhan Pamuk.” Adapted from the Original: Essays on the Value and Values of Works Remade for a New Medium, edited by Laurence Raw, McFarland & Company Publishing, 2018, pp. x, 258 pp.

Sellevold, Kirsti. “On the Borders of the Ostensive: Blushing in Edith Wharton’s the House of Mirth.” Reading Beyond the Code: Literature and Relevance Theory, edited by Terence Cave and Deirdre Wilson, Oxford UP, 2018, pp. viii, 222 pp.

Coit, Emily. “American Nervousness: Motherhood and ‘the Mental Activity of Women’ in the Era of Sexual Anarchy.” The Edinburgh Companion to Fin De Siecle Literature, Culture and the Arts, edited by Josephine M. Guy, Edinburgh UP, 2018, pp. ix, 462 pp.

Yagcioglu, Hulya. “Reifying Innocence: Material Contexts of Love in the Age of Innocence and the Museum of Innocence.” Routledge Research in Cultural and Media Studies (Routledge Research in Cultural and Media Studies), edited by Anna Malinowska and Michael Gratzke, Routledge, 2018, pp. vii, 283 pp.

Klekowski, Ed and Libby Klekowski. Edith Wharton and Mary Roberts Rinehart at the Western Front, 1915. McFarland & Company Publishing, 2018.

Cure, Monica. Picturing the Postcard: A New Media Crisis at the Turn of the Century. University of Minnesota Press, 2018.

Goodman, Susan. “‘Justice’ to Edith Wharton’s a Backward Glance.” Arizona Quarterly: A Journal of American Literature, Culture, and Theory, vol. 73, no. 4, 2017, pp. 93-115,

Kopec, Andrew. “Fiction, Finance, and Eliza Wharton’s ‘Awful Futurity’ in Early America.” ELH, vol. 84, no. 4, 2017, pp. 919-942,

Toth, Margaret. “Seeing Edith Wharton’s Ghosts: The Alternative Gaze on Page and Screen.” Journal of Narrative Theory, vol. 47, no. 1, 2017, pp. 26-55,

Craig, Layne Parish. “Chastity on the Western Front: Sexual Politics in Wharton’s a Son at the Front and Rinehart’s Dangerous Days.” MFS: Modern Fiction Studies, vol. 63, no. 4, 2017, pp. 651-673,

Kovacs, Agnes Zsofia. “Edith Wharton’s Vision of Continuity in Wartime France.” Neohelicon: Acta Comparationis Litterarum Universarum, vol. 44, no. 2, 2017, pp. 541-562.

Orlando, Emily J. “The ‘Queer Shadow’ of Ogden Codman in Edith Wharton’s Summer.” Studies in American Naturalism, vol. 12, no. 2, 2017, pp. 220-243.

Johnson, Allan. “The Pleasures of ‘Conspicuous Leisure’ in Sister Carrie and the House of Mirth.” English Studies: A Journal of English Language and Literature, vol. 98, no. 7-8, 2017, pp. 968-977.

Orlando, Emily J. “‘Perilous Coquetry’: Oscar Wilde’s Influence on Edith Wharton and Ogden Codman, Jr.” American Literary Realism, vol. 50, no. 1, 2017, pp. 25-48,

McClain, Laura Kathleen. A Trichotomy of Religion, Reason and Art: Roman Catholicism in the Novels of Wharton, Cather, Hemingway and O’connor. 2017.

Daemgen, Descha. Financial Futures and Speculative Fictions: American Literature and the Futures Market (1880-1914). 2017.

Elbert, Monika. “Mirrors, Sickrooms, and Dead Letters: Wharton’s Thwarted Gothic Love Plots.” Women’s Studies: An Interdisciplinary Journal, vol. 46, no. 5-8, 2017, pp. 803-826.

Hoar, Leo J. Beyond Stage and Screen: The Making of the Scene in Modernist Fiction. 2017.

Miller, Monica Carol. “Material Matters and Millinery Work in the House of Mirth.” South Atlantic Review, vol. 82, no. 1, 2017, pp. 49-65.

Gomez Reus, Teresa. “‘Remember Spain!’ Edith Wharton and the Book She Never Wrote.” English Studies: A Journal of English Language and Literature, vol. 98, no. 1-2, 2017, pp. 175-193,

Hellman, Caroline. “”Shut Not Your Doors to Me, Proud Libraries!”: The Repatriation of Edith Wharton’s Library.” From Page to Place: American Literary Tourism and the Afterlives of Authors, edited by Jennifer Harris and Hilary Iris Lowe, University of Massachusetts Press, 2017, pp. viii, 244 pp.

Totten, Gary. “Naturalistic Despair, Human Struggle, and the Gothic in Wharton’s Short Fiction.” Studies in American Literary Realism and Naturalism (Salrn), edited by Monika Elbert and Wendy Ryden, U of Alabama P, 2017, pp. viii, 295 pp.

Balestra, Gianfranca. “Incontri Ecfrastici: L’arte Italiana Nella Poesia Di Edith Wharton.” Il Critico E Lo Scrittore: Saggi E Testimonianze Letterarie in Onore Di Mario Materassi, edited by Cristina Giorcelli and Giuseppe Nori, Libri di Emil, 2017, p. 251 pp.

Brennan, Shannon. “‘The Queer Feeling We All Know’: Queer Objects and Orientations in Edith Wharton’s (Haunted) Houses.” Legacy: A Journal of American Women Writers, vol. 34, no. 1, 2017, pp. 82-105,–

Blum, Beth. “Modernism’s Anti-Advice.” Modernism/Modernity, vol. 24, no. 1, 2017, pp. 117-139,

Shammari, Zainab Abdulkadhim Salman Al. “Edith Wharton and the Condition of the American Woman.” Signs of Identity: Literary Constructs and Discursive Practices, edited by Emilia Parpala, Cambridge Scholars, 2017, pp. vi, 228 pp.

Kovacs, Agnes Zsofia. “Edith Wharton and World War I in the Context of Her Nonfiction.” Space, Gender, and the Gaze in Literature and Art, edited by Agnes Zsofia Kovacs and Laszlo B. Sari, Cambridge Scholars, 2017, pp. xiii, 232 pp.

Wolf, Naomi. “Edith Wharton: An Heiress to Gay Male Sexual Radicalism?” Talking Bodies: Interdisciplinary Perspectives on Embodiment, Gender and Identity, edited by Emma Rees, Palgrave Macmillan, 2017, pp. xiii, 233 pp.

Douthwaite, John. “A Social Landscape: Form and Style in an Edith Wharton Short Story.” Linguistic Approaches to Literature (Linguistic Approaches to Literature), edited by John Douthwaite et al., Benjamins, 2017, pp. vii, 238 pp.

Randall, Kelli V. American Realist Fictions of Marriage: From Kate Chopin, Edith Wharton to Frances Harper, Pauline Hopkins. Peter Lang Publishing Inc., 2017. Modern American Literature: New Approaches (Moal).

Fraiman, Susan. Extreme Domesticity: A View from the Margins. Columbia UP, 2017. Gender and Culture (Gandc).

Newman, Terry. Legendary Authors and the Clothes They Wore. HarperCollins, 2017.

Gould, Rebecca. “Vested Reading: Writing the Self through Ethan Frome.” Life Writing, vol. 13, no. 4, 2016, pp. 415-430.

Malmgren, Carl D. “Art and Life in Edith Wharton’s “the Muse’s Tragedy”.” Mosaic: An Interdisciplinary Critical Journal, vol. 49, no. 4, 2016, pp. 129-144,

Huber, Hannah. “Illuminating Sleeplessness in Edith Wharton’s the House of Mirth.” Studies in American Naturalism, vol. 11, no. 2, 2016, pp. 1-22,

Noe, Marcia et al. “The Tea Gown in Edith Wharton’s ‘the Other Two’.” Explicator, vol. 74, no. 4, 2016, pp. 259-263.

Hochman, Barbara. “Love and Theft: Plagiarism, Blackface, and Nella Larsen’s ‘Sanctuary’.” American Literature: A Journal of Literary History, Criticism, and Bibliography, vol. 88, no. 3, 2016, pp. 509-540.

Liming, Sheila. “‘It’s Painful to See Them Think’: Wharton, Fin De Siecle Science, and the Authentication of Female Intelligence.” Journal of the Midwest Modern Language Association, vol. 49, no. 2, 2016, pp. 137-160.

Tisdale, Bethany Dailey. Creating the Self: Women Artists in Twentieth-Century Fiction. 2016.

Kim, Wook-Dong. “Robert Frost’s ‘Stopping by Woods on a Snowy Evening’ and Edith Wharton’s Ethan Frome.” Explicator, vol. 74, no. 3, 2016, pp. 152-155.

Bex, Sean. “Marketing Professionalism: The Transatlantic Authorship of Edith Wharton.” Neophilologus, vol. 100, no. 3, 2016, pp. 503-519.

Elaman-Garner, Sevinc. “Contradictory Depictions of the New Woman: Reading Edith Wharton’s the Age of Innocence as a Dialogic Novel.” European Journal of American Studies, vol. 11, no. 2, 2016, p. 35 paragraphs,

Drizou, Myrto. “The Undecidable Miss Bart: Edith Wharton’s Naturalism in the House of Mirth.” 49th Parallel: An Interdisciplinary Journal of North American Studies, vol. 38, 2016, pp. 21-49,

Goldsmith, Meredith. “Of Publicity, Prizes, and Prestige: The Middle-Zone of the Marketplace in Hudson River Bracketed.” American Literary Realism, vol. 48, no. 3, 2016, pp. 232-250,

Louvel, Liliane. “Declinaisons Et Figures Ekphrastiques: Quelques Modestes Propositions [Special Issue].” Arborescences: Revue d’Etudes Francaises, vol. 4, 2016, pp. 15-32,

Grant, David. “Trusting America: Undine Spragg’s Revolutionary Break in the Custom of the Country.” Canadian Review of American Studies/Revue Canadienne d’Etudes Americaines, vol. 46, no. 1, 2016, pp. 86-115,

Clarke, Michael Tavel. “Between Wall Street and Fifth Avenue: Class and Status in Edith Wharton’s the House of Mirth.” College Literature, vol. 43, no. 2, 2016, pp. 342-374,

Brister, Lori N. Looking for the Picturesque: Tourism, Visual Culture, and the Literature of Travel in the Long Nineteenth Century. 2016.

Eby, Clare Virginia. “The Glimpses of the Moon and the Transatlantic Debate over Marital Reform.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., UP of Florida, 2016, pp. xxii, 282 pp.

Asya, Ferda. “Motifs of Anarchism in Edith Wharton’s the Children.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., UP of Florida, 2016, pp. xxii, 282 pp.

Blazek, William. “‘The Very Beginning of Things’: Reading Wharton through Charles Eliot Norton’s Life and Writings on Italy.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., UP of Florida, 2016, pp. xxii, 282 pp.

Bode, Rita. “Wharton’s Italian Women: ‘My Beloved Romola’.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., UP of Florida, 2016, pp. xxii, 282 pp.

Montgomery, Maureen E. “Possessing Italy: Wharton and American Tourists.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., UP of Florida, 2016, pp. xxii, 282 pp.

Lasansky, D. Medina. “Beyond the Guidebook: Edith Wharton’s Rediscovery of San Vivaldo.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., UP of Florida, 2016, pp. xxii, 282 pp.

Howard, June. “Here/There, Now/Then, Both/And: Regionalism and Cosmopolitanism in Edith Wharton’s Old New York.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., UP of Florida, 2016, pp. xxii, 282 pp.



Carney, Mary. “The Cosmopolitan at War: Edith Wharton and Transnational Material Culture.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., UP of Florida, 2016, pp. xxii, 282 pp.

Kim, Sharon. “‘Eyes Filled with Splendor’: On Italy and the Saturated Gaze in the Custom of the Country.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., UP of Florida, 2016, pp. xxii, 282 pp.

Toth, Margaret A. “Orientalism, Modernism, and Gender in Edith Wharton’s Late Novels.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., UP of Florida, 2016, pp. xxii, 282 pp.

Zibrak, Arielle. “The Woman Who Hated Sex: Undine Spragg and the Trouble with ‘Bother’.” Edith Wharton Review, vol. 32, no. 1-2, 2016, pp. 1-19,

“Wharton and Sex [Special Section].” Edith Wharton Review, vol. 32, no. 1-2, 2016, pp. 1-56,

Dawson, Melanie. “Wharton, Sex, and the Terrible Honesty of the 1920s.” Edith Wharton Review, vol. 32, no. 1-2, 2016, pp. 20-39,

Ohler, Paul. “Sexual Violence and Ghostly Justice in ‘the Lady’s Maid’s Bell’ and ‘Kerfol’.” Edith Wharton Review, vol. 32, no. 1-2, 2016, pp. 40-56,

“From the Archives [Special Section].” Edith Wharton Review, vol. 32, no. 1-2, 2016, pp. 57-79,

Singley, Carol J. “Launching the Complete Works of Edith Wharton.” Edith Wharton Review, vol. 32, no. 1-2, 2016, pp. 57-60,

Girling, Anna. “‘Comedy of Errors’: The Correspondence between Edith Wharton and John Murray in the National Library of Scotland.” Edith Wharton Review, vol. 32, no. 1-2, 2016, pp. 61-79,

Wagner, Johanna M. “The Conventional and the Queer: Lily Bart, an Unlivable Ideal.” SubStance: A Review of Theory and Literary Criticism, vol. 45, no. 1 [139], 2016, pp. 116-139,

Pierpont, Claudia Ruth. American Rhapsody: Writers, Musicians, Movie Stars, and One Great Building. Farrar Straus & Giroux, 2016.

Goldsmith, Meredith L. et al. Edith Wharton and Cosmopolitanism. UP of Florida, 2016.

Norton, Jana Rivers. The Demeter-Persephone Myth as Writing Ritual in the Lives of Literary Women. Cambridge Scholars, 2016.

Drizou, Myrto. “The Undecidable Miss Bart: Edith Wharton’s Naturalism in _The House of Mirth_.” _49th Parallel: An Interdisciplinary Journal of North American Studies_ 38 (Spring 2016): 21-49. Web.

Wagner, Johanna M. “The Conventional and the Queer: Lily Bart, an Unlivable Ideal.” SubStance: A Review of Theory and Literary Criticism 45.1 [139] (2016): 116-39. Print.

Gould, Rebecca. “Vested Reading: Writing the Self through Ethan Frome,” Life Writing 13.4 (2016). The PDF is attached and it can be linked to here:


Baltrum, James. “The Benedick, Bachelorhood, and Edith Wharton’s Classified (Re)Invention of the Heterosexual Male in the House of Mirth.” Explicator 73.4 (2015): 290-95. Print.

Bannett, Nina. “Reclaiming Sentimentalism in Edith Wharton’s Summer.” Edith Wharton Review 31.1-2 (2015): 29-56. Print.

Beer, Janet, and Avril Horner. “‘The Great Panorama’: Edith Wharton as Historical Novelist.” Modern Language Review 110.1 (2015): 69-84, 313. Print.

Boyle, Elizabeth A. “‘Becoming a Part of Her Innermost Being’: Gender, Mass-Production, and the Evolution of Department Store Culture in Edith Wharton’s ‘Bunner Sisters’.” American Literary Realism 47.3 (2015): 203-18. Print.

Braun, Juliane. “The Drama of History in Francophone New Orleans.” Early American Literature 50.3 (2015): 763-95. Print.

Burden, Robert. Travel, Modernism and Modernity. Farnham, England: Ashgate, 2015. Print.

Campbell, Donna. The Edith Wharton Society. Edith Wharton Society, 2015. Print.

Crowley, John W. “Old New York’s Twin Rediscovered.” American Literary Realism 48.1 (2015): 79-83. Print.

Girling, Anna. “The Touch of a Vanished Hand: Edith Wharton’s Fraught Relationship with John Murray.” TLS: The Times Literary Supplement 5856 (2015): 13-15. Print.

—. “‘Agrope among Alien Forces’: Alchemical Transformations and Capitalist Transactions in Edith Wharton’s the Touchstone.” Edith Wharton Review 31.1-2 (2015): 74-87. Print.

Halpern, Ira. “Secret Love, Private Space, and Inner Sanctuary: The Concealed in the Age of Innocence.” Explicator 73.2 (2015): 133-36. Print.

Liming, Sheila. “A Month at the Mount.” Edith Wharton Review 31.1-2 (2015): 88-92. Print.

—. “Suffer the Little Vixens: Sex and Realist Terror in ‘Jazz Age’ America.” Journal of Modern Literature 38.3 (2015): 99-118. Print.

McParland, Robert. Beyond Gatsby: How Fitzgerald, Hemingway, and Writers of the 1920s Shaped American Culture. Contemporary American Literature (Contemporary American Literature). Lanham, MD: Rowman & Littlefield, 2015. Print.

Mendelman, Lisa. “Ambivalence and Irony: Gendered Forms in Interwar America.” Arizona Quarterly: A Journal of American Literature, Culture, and Theory 71.4 (2015): 23-52. Print.

Navarro, Lauren Christie. Foodways and Gender Relations in the American Naturalist Novel. 2015. Print.

Noe, Marcia, and Jeffrey Melnik. “Edith Wharton’s Invitation to Moral Awareness and Careful Reading in ‘the Other Two’.” Eureka Studies in Teaching Short Fiction 11-12 (2015): 53-59. Print.

Ohler, Paul. “Digital Resources and the Magazine Context of Edith Wharton’s Short Stories.” Edith Wharton Review 31.1-2 (2015): 57-73. Print.

Orlando, Emily J. “Edith Wharton and the New Narcissism.” Women’s Studies: An Interdisciplinary Journal 44.6 (2015): 729-52. Print.

—. “Irreverent Intimacy: Nella Larsen’s Revisions of Edith Wharton.” Twentieth Century Literature 61.1 (2015): 32-62. Print.

Port, Cynthia. “Celebrity and the Epistolary Afterlife in Edith Wharton’s Early Fiction.” Edith Wharton Review 31.1-2 (2015): 3-28. Print.

Romagnolo, Catherine. Opening Acts: Narrative Beginnings in Twentieth-Century Feminist Fiction. Frontiers of Narrative (Frontiers of Narrative). Lincoln, NE: U of Nebraska P, 2015. Print.

Sakane, Takahiro. “‘A Turmoil of Contradictory Feelings’: Money, Women, and Body in Edith Wharton’s the Age of Innocence.” Textual Practice 29.1 (2015): 71-89. Print.

Shumaker, Scott. “The House of Mirth and the Desert of the Real: Edith Wharton and Hyperreality.” Explicator 73.4 (2015): 316-19. Print.

Skipper, Jodi, and David Wharton. “Diasporic Kings and Queens: Lafayette’s Black Mardi Gras Performances in Historical and Hemispheric Contexts.” The Southern Quarterly 52.4 (2015): 133-54. Print.

Totten, Gary. “Wharton’s Wild West: Undine Spragg and Dakota Divorce Culture: Beinecke Research Report.” Edith Wharton Review 31.1-2 (2015): 93-96. Print.

Towheed, Shafquat. “Reading the Great War: An Examination of Edith Wharton’s Reading and Responses, 1914-1918.” New Directions in Book History (New Directions in Book History). Eds. Towheed, Shafquat and Edmund G. C. King. Basingstoke, England: Palgrave Macmillan, 2015. xi, 266 pp. Print.

Solan, Yair. “‘Striking Stereopticon Views’: Edith Wharton’s ‘Bunner Sisters’ and Nineteenth-Century Magic Lantern Entertainment.” Studies in American Naturalism 7.2 (2012): 135-150. Print.

Newly Received

Butterworth-McDermott, Christine. “Lustful Fathers and False Princes: ‘Cinderella’ and ‘Donkeyskin’ Motifs in Edith Wharton’s Summer and Katherine Mansfield’s Short Stories. Katherine Mansfield Studies. 4.1 (Fall 2012): 63-78.

Scanlan, Sean. “Going No Place? Foregrounding Nostalgia and Psychological Spaces in Wharton’s The House of Mirth.” Style 44.1-2 (2010): 207-229. Print (and online at: .

Please list Edith Wharton at Home: Life at The Mount with your recent publications. It was written by the architectural historian Richard Guy Wilson with a foreword by Pauline Metcalf. John Arthur did the contemporary photography.
The book was published in September 2012 by Monacelli Press and is listed on their website.


“The Edith Wharton Review at 30: Wharton Studies Past, Present, and Future [Special Section].” Edith Wharton Review 30.1 (2014): 77-96. Print.

Baillon, Jean-Francois. “Tableaux Vivants, Still Lives: Tracing Terence Davies in the House of Mirth.” Etudes Anglaises: Revue du Monde Anglophone 67.1 (2014): 53-65. Print.

Ball, David M. False Starts: The Rhetoric of Failure and the Making of American Modernism. Evanston, IL: Northwestern UP, 2014. Print.

Baptista, Cristina J. Aura, Ambivalence, and Allure: The Portuguese in Modern American Literary Spaces. 2014. Print.

Bauer, Dale M. “Future Wharton Studies.” Edith Wharton Review 30.1 (2014): 77-81. Print.

Blazek, William, and Laura Rattray. “The Custom of the Country at 100 [Special Section].” Edith Wharton Review 30.1 (2014): 1-59. Print.

Boesenberg, Eva. “Sex and the City: Gender and Consumption in Late Nineteenth-Century Fiction.” Anglistik und Englischunterricht 82 (2014): 153-69. Print.

Boyd, Ailsa. “From the ‘Looey Suite’ to the Faubourg: The Ascent of Undine Spragg.” Edith Wharton Review 30.1 (2014): 9-28. Print.

Cheylan, Alice Bailey. “Edith Wharton’s France.” B. A. S.: British and American Studies/Revista de Studii Britanice si Americane 22 (2014): 21-25. Print.

Dawson, Melanie. “The Limits of the Cosmopolitan Experience in Wharton’s the Buccaneers.” Legacy: A Journal of American Women Writers 31.2 (2014): 258-80. Print.

De Vera, Samantha. “The Pharisees of Old New York in Edith Wharton’s the Age of Innocence.” Explicator 72.4 (2014): 316-19. Print.

Dorson, James. “Intimate Exchanges: Work, Affect, and Exploitation in Edith Wharton’s the House of Mirth.” American Studies in Scandinavia 46.1 (2014): 55-68. Print.

Ferruggia, Gabriella. “A Country of Dust and Ashes: Edith Wharton’s in Morocco.” Studi E Testi Di Palazzo Serra (Studi E Testi Di Palazzo Serra). Ed. Villa, Luisa. Rome, Italy: Aracne, 2014. 215 pp. Print.

Glennon, Jenny. “The Custom of Main Street: Wharton, Sinclair Lewis, and Middle-Class Taste.” Edith Wharton Review 30.1 (2014): 45-59. Print.

Goodman, Susan. “A Novel for All Seasons.” Edith Wharton Review 30.1 (2014): 3-8. Print.

Hellman, Caroline Chamberlin. “A Moveable Self: Edith Wharton’s Library and Its Return to the Mount.” Edith Wharton Review 30.2 (2014): 1-15. Print.

Jennings, Randee Dax. From Slums to Skyscrapers: The Transient Properties of Modern Literature. 2014. Print.

Krumholtz, Matthew. “Henry James’s Straight Talking Style.” Henry James Review 35.3 (2014): 232-39. Print.

Lekesizalin, Ferma. “Manipulation and Venturing Spirit in Edith Wharton’s the House of Mirth.” Interactions: Ege Journal of British and American Studies/Ege Ingiliz ve Amerikan Incelemeleri Dergisi 23.1-2 (2014): 169-77. Print.

Maguire, Leanne. “Decadence and Disability: Capital Degeneration in the New York of Edith Wharton and F. Scott Fitzgerald.” Edith Wharton Review 30.1 (2014): 29-43. Print.

Ohler, Paul. “Darwinism and the ‘Stored Beauty’ of Culture in Edith Wharton’s Writing.” America’s Darwin: Darwinian Theory and U. S. Literary Culture. Eds. Gianquitto, Tina and Lydia Fisher. Athens, GA: U of Georgia P, 2014. vi, 401 pp. Print.

Olin-Ammentorp, Julie. “‘It Is Either Nothing or Far More Than They Know’: Thirty Years of Edith Wharton Studies.” Edith Wharton Review 30.1 (2014): 83-87. Print.

Parker, Melissa Pluta. ‘The Hollow Men’: Divorce and Manhood in the Novels of Howells, James, and Wharton. 2014. Print.

Peters-Golden, Rebecca. Modern Gothic Realism: How America Became Generic. 2014. Print.

Pielak, Chase. “Edith Wharton: Engaging the Life Aquatic.” Edith Wharton Review 30.2 (2014): 31-42. Print.

Robinson, Linda A. “The Age of Innocence: A Case Study of Remediation.” Popular Culture Review 25.1 (2014): 123-37. Print.

Saunders, Judith P. “Wharton’s Hudson River Bracketed and Coleridge’s ‘Kubla Khan’: Re-Creating Xanadu in an American Landscape.” Connotations: A Journal for Critical Debate 24.2 (2014): 187-216. Print.

Schmidt, Michael. The Novel: A Biography. Cambridge, MA: Belknap Harvard UP, 2014. Print.

Shaffer-Koros, Carole M. “Wharton Studies: A Backward and Forward Glance.” Edith Wharton Review 30.1 (2014): 89-91. Print.

Singley, Carol J. “Claire Mcmillan and Francesca Segal Pay Tribute to Edith Wharton’s the House of Mirth and the Age of Innocence.” Edith Wharton Review 30.1 (2014): 61-75. Print.

Toth, Margaret. “Shaping Modern Bodies: Edith Wharton on Weight, Dieting, and Visual Media.” MFS: Modern Fiction Studies 60.4 (2014): 711-39. Print.

Trafton, Math. The Ghostmodern: Revisionist Haunting in Turn-of-the-Century American Literature (1887-1910). 2014. Print.

Waid, Candace. “A Letter from the Past to the Future, or Some Observations in ‘Casual Voice’ About the Field of Wharton Studies.” Edith Wharton Review 30.1 (2014): 93-96. Print.

Werf, Els van der. “Edith Wharton in Dutch Translation.” Edith Wharton Review 30.2 (2014): 16-30. Print.

Wood, Bethany. Capital Complex: Valuations of Femininity in 1920s Stage Adaptations from Women’s Culture. 2014. Print.

Zunshine, Lisa. “Theory of Mind as a Pedagogical Tool.” Interdisciplinary Literary Studies: A Journal of Criticism and Theory 16.1 (2014): 89-109. Print.


Altug, Zeynep Asya. “Gercekci Ve Dogalci Amerikan Romaninda Birey Ve Uygarlik Catismasi.” Turkbilim 13 (2013): 1-20. Print.

Asya, Ferda. “American Writers in Paris Exploring the ‘Unknown’ in Their Own Time: Edith Wharton’s in Morocco and Diane Johnson’s Lulu in Marrakech.” American Writers in Europe: 1850 to the Present. Ed. Ferda Asya. New York, NY: Palgrave Macmillan, 2013. viii, 247 pp. Print.

Beacom, Elizabeth Currier. The ‘Secret Garden’ and the Marketplace: Private and Public Space in Edith Wharton’s Nonfiction. 2013. Print.

Campbell, Donna. “The Ghost Story as Structure in Edith Wharton’s ‘the Other Two’.” Explicator 71.1 (2013): 69-72. Print.

Combs-Vanderlaan, Kim. “Sexual Politics in Wharton’s the Reef and the Custom of the Country.” EAPSU Online: A Journal of Critical and Creative Work 10 (2013): 78-101. Print.

Crowley, John W. “Revaluation: The Age of Innocence and the Electronic Revolution.” Sewanee Review 121.3 (2013): 427-32. Print.

Dawson, Melanie. “Edith Wharton Collection Research Report: Beinecke Library, Yale University.” Edith Wharton Review 29.1 (2013): 34-35. Print.

De Bruyn, Ben. “Where to Do Things with Words: Circulating Books, Decorating Rooms and Locating Modern Reading.” Orbis Litterarum 68.6 (2013): 457-72. Print.

Durkin, Katelyn. “The (Re)Production Craze: Taylorism and Regress in Edith Wharton’s Twilight Sleep.” Edith Wharton Review 29.2 (2013): 51-74. Print.

Eubanks, Peter. “Mixite and Maturity in Edith Warton’s French Ways and Their Meaning.” Contemporary French and Francophone Studies 17.2 (2013): 212-19. Print.

Evans, Anne-Marie. “Fashionable Females: Women, Clothes, and Culture in New York.” Comparative American Studies: An International Journal 11.4 (2013): 361-73. Print.

Glennon, Jenny. “Toward a Brighter Vision of ‘American Ways and Their Meaning’: Edith Wharton and the Americanization of Europe after the First World War.” American Writers in Europe: 1850 to the Present. Eds. Asya, Ferda and Diane Johnson. New York, NY: Palgrave Macmillan, 2013. viii, 247 pp. Print.

Goldman-Price, Irene. “From the Archives: Two Letters from Harry Jones to Anna Foster About Wharton’s near-Fatal Illness.” Edith Wharton Review 29.1 (2013): 37-39. Print.

Goldsmith, Meredith. “Twilight Sleep and the Children: Approaching Wharton’s Late Novels in the Undergraduate Classroom.” Edith Wharton Review 29.1 (2013): 7-11. Print.

Goodman, Susan. “Bearing Witness: Edith Wharton’s the Book of the Homeless.” Mosaic: A Journal for the Interdisciplinary Study of Literature 46.2 (2013): 87-103. Print.

Hamper, Margaret Bertucci. “‘The Poor Little Working Girl’: The New Woman, Chloral, and Motherhood in the House of Mirth.” ASEBL Journal 9.1 (2013): 19-22. Print.

Hughes, Margaret I. “The Emotional Education of the Reader: A Progression through Works and Time.” Journal of Aesthetic Education 47.4 (2013): 14-26. Print.

Knights, Pamela. “Edith Wharton.” Cambridge Companions to Literature (Cctl). Ed. Parrish, Timothy. Cambridge, England: Cambridge UP, 2013. xxxiv, 328 pp. Print.

Kornasky, Linda. “Edith Wharton’s the Glimpses of the Moon Meets Geoffrey Miller’s Spent.” Edith Wharton Review 29.1 (2013): 11-20. Print.

—. “‘To Go into Partnership’: Gender, Class, Ethnicity, and the American Dream in Edith Wharton’s the House of Mirth.” Critical Insights (Critical Insights). Ed. Newlin, Keith. Ipswich, MA: Salem, 2013. xii, 266 pp. Print.

Leichner, Amber Harris. ‘To Bend without Breaking’: American Women’s Authorship and the New Woman, 1900-1935. 2013. Print.

Michael, Krystyna. “‘A Break in the Continuity’: Chaos, Control, and Wharton’s Commitment to Form.” Edith Wharton Review 29.2 (2013): 27-50. Print.

Miquel-Baldellou, Marta. “Je L’ai Dans Mon Sang! Paris in Edith Wharton’s Madame De Treymes.” Paris in American Literatures: On Distance as a Literary Resource. Eds. Herlihy-Mera, Jeffrey and Vamsi K. Koneru. Madison, NJ: Fairleigh Dickinson UP, 2013. xxiv, 163 pp. Print.

Murillo, Cynthia. “The Spirit of Rebellion: The Transformative Power of the Ghostly Double in Gilman, Spofford, and Wharton.” Women’s Studies: An Interdisciplinary Journal 42.7 (2013): 755-81. Print.

Ridge, Emily. “Workmanship and Wildness: Katherine Mansfield on Edith Wharton’s the Age of Innocence.” Katherine Mansfield Studies (Kms). Eds. Wilson, Janet, et al. Edinburgh, Scotland: Edinburgh UP, 2013. xi, 210 pp. Print.

Rix, Alicia. “‘The Lives of Others’: Motoring in Henry James’s ‘the Velvet Glove’.” Journal of Modern Literature 36.3 (2013): 31-49. Print.

Sherman, Sarah Way. Sacramental Shopping: Louisa May Alcott, Edith Wharton, and the Spirit of Modern Consumerism. Becoming Modern: New Nineteenth-Century Studies (Becoming Modern: New Nineteenth-Century Studies). Durham, NH: U of New Hampshire P, 2013. Print.

Singley, Carol J. “Change at Stake: Teaching Edith Wharton’s Late Fiction.” Edith Wharton Review 29.1 (2013): 1-7. Print.

Singley, Carol J., and Robert Thacker. “Wharton and Cather.” American Literary Scholarship: An Annual (2013): 125-43. Print.

Smokler, Kevin. Practical Classics: 50 Reasons to Reread 50 Books You Haven’t Touched since High School. Amherst, NY: Prometheus, 2013. Print.

Tajibaeva, Janna S. Consumer Culture, Material Desires, and Images of Women in American Novels and Art at the Turn of the 20th Century. 2013. Print.

Totten, Gary. “The Dialectic of History and Technology in Edith Wharton’s a Motor-Flight through France.” Studies in Travel Writing 17.2 (2013): 133-44. Print.

—. “Teaching Cluster [Special Section].” Edith Wharton Review 29.1 (2013): 1-32. Print.

Vala, Madeleine A. “‘A Grim Fascination’: Newspapers and Edith Wharton’s the Custom of the Country.” Edith Wharton Review 29.2 (2013): 1-25. Print.

Wagner, Johanna M., and Marysa Demoor. “The Slippery Slope of Interpellation: Framing Hero and Victim in Edith Wharton’s Ethan Frome.” Neophilologus 97.2 (2013): 417-35. Print.

Wentzel, Rocki. “Classical Reception in Edith Wharton’s Late Fiction.” Edith Wharton Review 29.1 (2013): 20-32. Print.

Wierzbicki, Kaye. “Edith Wharton Society Mount Research Award.” Edith Wharton Review 29.1 (2013): 35-37. Print.

Journal of the Short Story in English n°58,
Presses Universitaires d’Angers.
A special issue on the Short Stories of Edith Wharton. Guest editor Virginia Ricard.

To order, contact at the Presses Universitaires d’Angers.


Linda Collinge-Germain, Foreword

Virginia Ricard, Introduction

Sarah Whitehead, Make It Short: Edith Wharton’s Modernist Practices in her Short Stories

David Malcolm, Breaches of Realist Conventions in Edith Wharton’s Short Fiction

Robin Peel, Realism and Ritual in the Italian Short Stories of Edith Wharton

Audrey Giboux, The Epistolary Motif and Literary Creation in Edith Wharton’s Short Stories: Narrative, Aesthetic and Moral Issues

Agnès Berbinau-Dezalay. Reading and Readers in Edith Wharton’s Short Stories

Joanna Scutts, “Writing a War Story”: The Female Author and the Challenge of Witnessing

William Blazek, Reading the Ruins: “Coming Home,” Wharton’s Atrocity Story of the First World War

Gary Totten, Imagining the American West in Wharton’s Short Fiction

Nancy Von Rosk, Prince Charming or Animal Bridegroom?: Fairy Tale Elements in Edith Wharton’s “Bunner Sisters”

Jennifer Haytock, The Dogs of “Kerfol”: Animals, Authorship, and Wharton

Gina Rossetti, Old Entanglements: Spectral Spouses in Edith Wharton’s “The Other Two” and “Pomegranate Seed”

Michael Pantazzi, A Face of One’s Own: Edith Wharton and the Portrait in her Short Fiction

Brigitte Zaugg,The Art of Irresolution in Edith Wharton’s “The Lady’s Maid’s Bell”

Joseph Urbas, “Sermons in Stone”: Théophile Gautier’s Emaux et Camées and Edith Wharton’s “The Eyes”

Virginia Ricard,Bibliography


Alsop, Elizabeth. “Refusal to Tell: Withholding Heroines in Hawthorne, Wharton, and Coetzee.” College Literature 39 3 (2012): 84-105. Print.

Boyd, Ailsa. “‘The Decoration of Houses’: The American Homes of Edith Wharton.’ The Journal of the Decorative Arts Society 30 (2006): 76-93. PrintNew

Brivic, Sheldon. “The Lacanian Phallus and the Lesbian One in Wharton’s ‘Xingu’.” Journal of Modern Literature 35 2 (2012): 25-36. Print.

Butterworth-McDermott, Christine. “Lustful Fathers and False Princes: ‘Cinderella’ and ‘Donkeyskin’ Motifs in Edith Wharton’s Summer and Katherine Mansfield’s Short Stories. Katherine Mansfield Studies. 4.1 (Fall 2012): 63-78.New

Campbell, Donna. “Edith Wharton Meets Aquaman: The Glimpses of the Moon and Imperiled Male Culture in Entourage.” Journal of Popular Culture 45 6 (2012): 1152-68. Print. New

Evron, Nir. “Realism, Irony and Morality in Edith Wharton’s the Age of Innocence.” Journal of Modern Literature 35 2 (2012): 37-51. Print.

Hans, Julia Boissoneau. The Transparent Mask: American Women’s Satire 1900-1933. 2012. Print.

Jessee, Margaret Jay. “Trying It On: Narration and Masking in the Age of Innocence.” Journal of Modern Literature 36 1 (2012): 37-52. Print. New

Knights, Pamela. “Edith Wharton’s ‘Venetian Backgrounds.'” Venice and the Cultural Imagination: “This Strange Dream upon the Water.” Ed. Michael O’Neill, Mark Sandy and Sarah Wootton. London: Pickering, 2012. 109-26, 186-9. PRINT.

Knights, Pamela. “Edith Wharton.” A Companion to Twentieth-Century United States Fiction. Ed. David Seed. Chichester: Wiley-Blackwell, 2010. 209-18. PRINT.

Mayne, Michael. “Place and Agency in the House of Mirth.” Journal of Narrative Theory 42 1 (2012): 1-20. Print.New

Monteiro, George. “‘Good Country People’: Stories by Louise Clarkson and Edith Wharton.” American Literary Realism 44 3 (2012): 271-76. Print.

Peleato, Floreal. “Supreme Renoncement: Le Temps De L’innocence.” Positif: Revue Mensuelle de Cinema 619 (2012): 110-12. Print.

Powell, Laura L. Sew Speak! Needlework as the Voice of Ideology Critique in ‘the Scarlet Letter’, ‘a New England Nun’, and ‘the Age of Innocence’. 2012. PrintNew

Shinbrot, Victoria. “Risk and Subversion in Edith Wharton’s the House of Mirth.” Orbis Litterarum: International Review of Literary Studies 67 1 (2012): 39-60. Print.

Bendixen, Alfred. A Companion to the American Novel. 2012.

Puskar, Jason Robert. Accident Society : Fiction, Collectivity, and the Production of Chance. Stanford, California: Stanford University Press, 2012. Print.

Wharton, Edith, Anna Catherine Bahlmann, and Irene C. Goldman-Price. My Dear Governes : The Letters of Edith Wharton to Anna Bahlmann. New Haven: Yale University Press, 2012. Print.

Williams, Jason Richard. Competing Visions: Women Writers and Male Illustrators in the Golden Age of Illustration. 2012. Print.

2 thoughts on “New Articles

  1. Pingback: Wharton Bibliography updated 2013-16 | The Edith Wharton Society

  2. Pingback: Amlit Updates: Howells and Wharton Bibliographies | Donna M. Campbell

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