New Articles

Edith Wharton: New Articles

Information derived from the MLA Bibliography, WorldCat, and email announcements sent to the site. Since there is no paid staff for the site to search out articles, if you want your article to appear, please send it to whartonqueries@gmail.com or use the online contact form.

New Books
New Articles 2020-present

2019

Witschi, Nicolas S. “Realism and the Cinematic Gaze.” Oxford Handbook of American Literary Realism, edited by Keith Newlin, Oxford University Press, 2019, pp. xiv, 718.

Ricard, Virginia. “The Uses of Boundaries: Edith Wharton and Place.” E-REA: Revue Electronique d’Etudes sur le Monde Anglophone, vol. 16, no. 2, 2019, p. 26 paragraphs, http://erea.revues.org/.

Petty, Leslie. “Realism and the New Woman.” Oxford Handbook of American Literary Realism, edited by Keith Newlin, Oxford University Press, 2019, pp. xiv, 718.

Chmielewska, Anita. “The Contemporary British-Jewish Family and the Significance of Its Confines In.” Anglica Wratislaviensia, vol. 57, 2019, pp. 11-23, http://search.ebscohost.com/login.aspx?direct=true&db=mla&AN=139912447&site=ehost-live

http://awr.wuwr.pl/category/-785.

Betjemann, Peter. “Realist Literature, Painting, and Immediacy.” Oxford Handbook of American Literary Realism, edited by Keith Newlin, Oxford University Press, 2019, pp. xiv, 718.

Armbruster, Elif S. “Dwelling in American Realism.” Oxford Handbook of American Literary Realism, edited by Keith Newlin, Oxford University Press, 2019, pp. xiv, 718.

2018

Toth, Margaret. “Spiritual Practitioners, Storytelling Markets, and the Economics of Consolation in Edith Wharton’s Postwar Fiction.” The Edith Wharton Review, 34.1, 2018, pp. 13-32. https://muse.jhu.edu/article/732743

Jones, Sally A. R. “Edith Wharton’s Bible.” Edith Wharton Review 34, no. 1 (2018): 62-78.            doi:10.5325/editwharrevi.34.1.0062.

Yagcioglu, Hulya. “Reifying Innocence: Material Contexts of Love In.” Routledge Research in Cultural and Media Studies, edited by Anna Malinowska and Michael Gratzke, Routledge, 2018, pp. vii, 283.

—. “Textual Museums in Edith Wharton and Orhan Pamuk.” Adapted from the Original: Essays on the Value and Values of Works Remade for a New Medium, edited by Laurence Raw, McFarland & Company Publishing, 2018, pp. x, 258.

Sellevold, Kirsti. “On the Borders of the Ostensive: Blushing in Edith Wharton’s.” Reading Beyond the Code: Literature and Relevance Theory, edited by Terence Cave and Deirdre Wilson, Oxford University Press, 2018, pp. viii, 222.

Seitler, Dana. “Willing to Die: Addiction and Other Ambivalences of Living.” Cultural Critique, vol. 98, 2018, pp. 1-21, http://muse.jhu.edu/article/699820.

Port, Cynthia. “Rereading the Future.” PMLA: Publications of the Modern Language Association of America, vol. 133, no. 3, 2018, pp. 640-646, http://www.mlajournals.org/doi/pdf/10.1632/pmla.2018.133.3.640.

Nichols, John. “Writing into Modernity: Edith Wharton’s.” American Literary History and the Turn toward Modernity, edited by Melanie V. Dawson and Meredith L. Goldsmith, University Press of Florida, 2018, p. 290.

Mitchell, Lee Clark. “Enamored with an Embodied Style in Edith Wharton’s.” Literary Imagination: The Review of the Association of Literary Scholars and Critics, vol. 20, no. 2, 2018, pp. 201-214.

Maunsell, Jerome Boyd. Portraits from Life: Modernist Novelists and Autobiography. Oxford University Press, 2018.

Legendre, Thomas. “Ghostly Desires in Edith Wharton’s ‘Miss Mary Pask’.” Journal of the Short Story in English, vol. (70), no. 70, 2018, pp. 87-98.

Klekowski, Ed and Libby Klekowski. Edith Wharton and Mary Roberts Rinehart at the Western Front, 1915. McFarland & Company Publishing, 2018.

Evron, Nir. “”Interested in Big Things, and Happy in Small Ways”: Curiosity in Edith Wharton.” Twentieth Century Literature, vol. 64, no. 1, 2018, pp. 79-100, http://muse.jhu.edu/article/692982.

Elaman-Garner, Sevinc. “Feminism, Dialogism and the (in)Definable Woman in Edith Wharton’s.” Interactions: Ege Journal of British and American Studies/Ege Ingiliz ve Amerikan Incelemeleri Dergisi, vol. 27, no. 1-2, 2018, pp. 53-64.

Cure, Monica. Picturing the Postcard: A New Media Crisis at the Turn of the Century. University of Minnesota Press, 2018.

Coit, Emily. “American Nervousness: Motherhood and ‘the Mental Activity of Women’ in the Era of Sexual Anarchy.” The Edinburgh Companion to Fin De Siecle Literature, Culture and the Arts, edited by Josephine M. Guy, Edinburgh University Press, 2018, pp. ix, 462.

Butchard, Dorothy. “‘Speaking Distance’: Fantasies of Immediacy and the Transatlantic Telegraph.” Wenshan Review of Literature and Culture, vol. 11, no. 2, 2018, pp. 97-119.

2017

Wolf, Naomi. “Edith Wharton: An Heiress to Gay Male Sexual Radicalism?” Talking Bodies: Interdisciplinary Perspectives on Embodiment, Gender and Identity, edited by Emma Rees, Palgrave Macmillan, 2017, pp. 17-33.

Totten, Gary. “Naturalistic Despair, Human Struggle, and the Gothic in Wharton’s Short Fiction.” Studies in American Literary Realism and Naturalism, edited by Monika Elbert and Wendy Ryden, University of Alabama Press, 2017, pp. viii, 295.

Toth, Margaret. “Seeing Edith Wharton’s Ghosts: The Alternative Gaze on Page and Screen.” Journal of Narrative Theory, vol. 47, no. 1, 2017, pp. 26-55, http://muse.jhu.edu/article/673749.

Shammari, Zainab Abdulkadhim Salman Al. “Edith Wharton and the Condition of the American Woman.” Signs of Identity: Literary Constructs and Discursive Practices, edited by Emilia Parpala, Cambridge Scholars Publishing, 2017, pp. vi, 228.

Randall, Kelli V. American Realist Fictions of Marriage: From Kate Chopin, Edith Wharton to Frances Harper, Pauline Hopkins. Peter Lang Publishing Inc., 2017. Modern American Literature.

Paul, Manning. “No Ruins. No Ghosts.” Preternature: Critical and Historical Studies on the Preternatural, vol. 6, no. 1, 2017, pp. 63-92, https://www.jstor.org/stable/10.5325/preternature.6.1.0063.

Orlando, Emily J. “The ‘Queer Shadow’ of Ogden Codman in Edith Wharton’s.” Studies in American Naturalism, vol. 12, no. 2, 2017, pp. 220-243.

—. “‘Perilous Coquetry’: Oscar Wilde’s Influence on Edith Wharton and Ogden Codman, Jr.” American Literary Realism, vol. 50, no. 1, 2017, pp. 25-48, http://muse.jhu.edu/article/665580.

Newman, Terry. Legendary Authors and the Clothes They Wore. HarperCollins Publishers, 2017.

Miller, Monica Carol. “Material Matters and Millinery Work In.” South Atlantic Review, vol. 82, no. 1, 2017, pp. 49-65, https://samla.memberclicks.net/sar.

McClain, Laura Kathleen. A Trichotomy of Religion, Reason and Art: Roman Catholicism in the Novels of Wharton, Cather, Hemingway and O’connor. ProQuest, 2017.

Kovacs, Agnes Zsofia. “Edith Wharton and World War I in the Context of Her Nonfiction.” Space, Gender, and the Gaze in Literature and Art, edited by Agnes Zsofia Kovacs and Laszlo B. Sari, Cambridge Scholars Publishing, 2017, pp. xiii, 232.

—. “Edith Wharton’s Vision of Continuity in Wartime France.” Neohelicon: Acta Comparationis Litterarum Universarum, vol. 44, no. 2, 2017, pp. 541-562.

Kopec, Andrew. “Fiction, Finance, and Eliza Wharton’s ‘Awful Futurity’ in Early America.” ELH: English Literary History, vol. 84, no. 4, 2017, pp. 919-942, http://muse.jhu.edu/article/679098.

Johnson, Allan. “The Pleasures of ‘Conspicuous Leisure’ In.” English Studies: A Journal of English Language and Literature, vol. 98, no. 7-8, 2017, pp. 968-977.

Hoar, Leo J. Beyond Stage and Screen: The Making of the Scene in Modernist Fiction. ProQuest, 2017.

Hellman, Caroline. “”Shut Not Your Doors to Me, Proud Libraries!”: The Repatriation of Edith Wharton’s Library.” From Page to Place: American Literary Tourism and the Afterlives of Authors, edited by Jennifer Harris and Hilary Iris Lowe, University of Massachusetts Press, 2017, pp. viii, 244.

Goodman, Susan. “‘Justice’ to Edith Wharton’s.” Arizona Quarterly: A Journal of American Literature, Culture, and Theory, vol. 73, no. 4, 2017, pp. 93-115, http://muse.jhu.edu/article/683765.

Gomez Reus, Teresa. “‘Remember Spain!’ Edith Wharton and the Book She Never Wrote.” English Studies: A Journal of English Language and Literature, vol. 98, no. 1-2, 2017, pp. 175-193, http://www.tandfonline.com/doi/full/10.1080/0013838X.2016.1241063.

Fraiman, Susan. Extreme Domesticity: A View from the Margins. Columbia University Press, 2017. Gender and Culture.

Elbert, Monika. “Mirrors, Sickrooms, and Dead Letters: Wharton’s Thwarted Gothic Love Plots.” Women’s Studies: An Interdisciplinary Journal, vol. 46, no. 5-8, 2017, pp. 803-826.

Douthwaite, John. “A Social Landscape: Form and Style in an Edith Wharton Short Story.” Linguistic Approaches to Literature, edited by John Douthwaite et al., John Benjamins Publishing Company, 2017, pp. vii, 238.

Daemgen, Descha. Financial Futures and Speculative Fictions: American Literature and the Futures Market (1880-1914). ProQuest, 2017.

Craig, Layne Parish. “Chastity on the Western Front: Sexual Politics in Wharton’s.” MFS: Modern Fiction Studies, vol. 63, no. 4, 2017, pp. 651-673, http://muse.jhu.edu/article/680023/pdf.

Brennan, Shannon. “‘The Queer Feeling We All Know’: Queer Objects and Orientations in Edith Wharton’s (Haunted) Houses.” Legacy: A Journal of American Women Writers, vol. 34, no. 1, 2017, pp. 82-105, http://muse.jhu.edu/article/662907–http://www.jstor.org/stable/10.5250/legacy.34.1.0082.

Blum, Beth. “Modernism’s Anti-Advice.” Modernism/Modernity, vol. 24, no. 1, 2017, pp. 117-139, http://muse.jhu.edu/article/650836.

Balestra, Gianfranca. “Incontri Ecfrastici: L’arte Italiana Nella Poesia Di Edith Wharton.” Il Critico E Lo Scrittore: Saggi E Testimonianze Letterarie in Onore Di Mario Materassi, edited by Cristina Giorcelli and Giuseppe Nori, Libri di Emil, 2017, p. 251.

2016

Zibrak, Arielle. “The Woman Who Hated Sex: Undine Spragg and the Trouble with ‘Bother’.” Edith Wharton Review, vol. 32, no. 1-2, 2016, pp. 1-19, http://www.jstor.org/stable/10.5325/editwharrevi.32.1-2.0001.

Wagner, Johanna M. “The Conventional.” SubStance: A Review of Theory and Literary Criticism, vol. 45, no. 1 [139], 2016, pp. 116-139, http://muse.jhu.edu/journals/substance/v045/45.1.wagner.html.

Totten, Gary. “Edith Wharton’s Geographical Imagination: A Response to Judith P. Saunders.” Connotations: A Journal for Critical Debate, vol. 26, no. 1, 2016, pp. 91-101, http://www.connotations.de/.

Toth, Margaret A. “Orientalism, Modernism, and Gender in Edith Wharton’s Late Novels.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., University Press of Florida, 2016, pp. 226-250.

Toth, Margaret. “Authorship, Gender, and the Modern Muse in Edith Wharton’s Vance Weston Novels: : A Response to Judith P. Saunders.” Connotations: A Journal for Critical Debate, vol. 26, no. 1, 2016, pp. 1-13, http://www.connotations.de/.

Tisdale, Bethany Dailey. Creating the Self: Women Artists in Twentieth-Century Fiction. ProQuest, 2016.

Singley, Carol J. “Launching.” Edith Wharton Review, vol. 32, no. 1-2, 2016, pp. 57-60, http://www.jstor.org/stable/10.5325/editwharrevi.32.1-2.0057.

Pierpont, Claudia Ruth. American Rhapsody: Writers, Musicians, Movie Stars, and One Great Building. Farrar Straus & Giroux, 2016.

Ohler, Paul. “Sexual Violence and Ghostly Justice in ‘the Lady’s Maid’s Bell’ and ‘Kerfol’.” Edith Wharton Review, vol. 32, no. 1-2, 2016, pp. 40-56, http://www.jstor.org/stable/10.5325/editwharrevi.32.1-2.0040.

Norton, Jana Rivers. The Demeter-Persephone Myth as Writing Ritual in the Lives of Literary Women. Cambridge Scholars Publishing, 2016.

Noe, Marcia et al. “The Tea Gown in Edith Wharton’s ‘the Other Two’.” The Explicator, vol. 74, no. 4, 2016, pp. 259-263.

Montgomery, Maureen E. “Possessing Italy: Wharton and American Tourists.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., University Press of Florida, 2016, pp. 110-131.

Malmgren, Carl D. “Art and Life in Edith Wharton’s “the Muse’s Tragedy”.” Mosaic: An Interdisciplinary Critical Journal, vol. 49, no. 4, 2016, pp. 129-144, https://muse.jhu.edu/article/640855.

Louvel, Liliane. “Declinaisons Et Figures Ekphrastiques: Quelques Modestes Propositions [Special Issue].” Arborescences: Revue d’Etudes Francaises, vol. 4, 2016, pp. 15-32, http://www.erudit.org/revue/arbo.

Liming, Sheila. “‘It’s Painful to See Them Think’: Wharton, Fin De Siecle Science, and the Authentication of Female Intelligence.” Journal of the Midwest Modern Language Association, vol. 49, no. 2, 2016, pp. 137-160.

Lasansky, D. Medina. “Beyond the Guidebook: Edith Wharton’s Rediscovery of San Vivaldo.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., University Press of Florida, 2016, pp. 132-165.

Kim, Wook-Dong. “Robert Frost’s ‘Stopping by Woods on a Snowy Evening’ and Edith Wharton’s.” The Explicator, vol. 74, no. 3, 2016, pp. 152-155.

Kim, Sharon. “‘Eyes Filled with Splendor’: On Italy and the Saturated Gaze In.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., University Press of Florida, 2016, pp. 210-225.

Huber, Hannah. “Illuminating Sleeplessness in Edith Wharton’s.” Studies in American Naturalism, vol. 11, no. 2, 2016, pp. 1-22, http://muse.jhu.edu/article/668247.

Howard, June. “Here/There, Now/Then, Both/And: Regionalism and Cosmopolitanism in Edith Wharton’s.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., University Press of Florida, 2016, pp. 166-184.

Hochman, Barbara. “Love and Theft: Plagiarism, Blackface, and Nella Larsen’s ‘Sanctuary’.” American Literature: A Journal of Literary History, Criticism, and Bibliography, vol. 88, no. 3, 2016, pp. 509-540.

Grant, David. “Trusting America: Undine Spragg’s Revolutionary Break In.” Canadian Review of American Studies/Revue Canadienne d’Etudes Americaines, vol. 46, no. 1, 2016, pp. 86-115, http://muse.jhu.edu/article/614919.

Gould, Rebecca. “Vested Reading: Writing the Self Through.” Life Writing, vol. 13, no. 4, 2016, pp. 415-430.

Goldsmith, Meredith L. et al. Edith Wharton and Cosmopolitanism. University Press of Florida, 2016.

Goldsmith, Meredith. “Of Publicity, Prizes, and Prestige: The Middle-Zone of the Marketplace In.” American Literary Realism, vol. 48, no. 3, 2016, pp. 232-250, http://muse.jhu.edu/article/614593.

Girling, Anna. “‘Comedy of Errors’: The Correspondence between Edith Wharton and John Murray in the National Library of Scotland.” Edith Wharton Review, vol. 32, no. 1-2, 2016, pp. 61-79, http://www.jstor.org/stable/10.5325/editwharrevi.32.1-2.0061.

Elaman-Garner, Sevinc. “Contradictory Depictions of the New Woman: Reading Edith Wharton’s.” European Journal of American Studies, vol. 11, no. 2, 2016, p. 35 paragraphs, http://ejas.revues.org/.

Eby, Clare Virginia. Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., University Press of Florida, 2016, pp. 19-37.

Drizou, Myrto. “The Undecidable Miss Bart: Edith Wharton’s Naturalism In.” 49th Parallel: An Interdisciplinary Journal of North American Studies, vol. 38, 2016, pp. 21-49, http://www.49thparallel.bham.ac.uk/.

Dawson, Melanie. “Wharton, Sex, and the Terrible Honesty of the 1920s.” Edith Wharton Review, vol. 32, no. 1-2, 2016, pp. 20-39, http://www.jstor.org/stable/10.5325/editwharrevi.32.1-2.0020.

Clarke, Michael Tavel. “Between Wall Street and Fifth Avenue: Class and Status in Edith Wharton’s.” College Literature: A Journal of Critical Literary Studies, vol. 43, no. 2, 2016, pp. 342-374, http://muse.jhu.edu/article/614319.

Carney, Mary. “The Cosmopolitan at War: Edith Wharton and Transnational Material Culture.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., University Press of Florida, 2016, pp. 187-209.

Brister, Lori N. Looking for the Picturesque: Tourism, Visual Culture, and the Literature of Travel in the Long Nineteenth Century. ProQuest, 2016.

Bode, Rita. “Wharton’s Italian Women: ‘My Beloved Romola’.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., University Press of Florida, 2016, pp. 89-109.

Blazek, William. “‘The Very Beginning of Things’: Reading Wharton through Charles Eliot Norton’s Life and Writings on Italy.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., University Press of Florida, 2016, pp. 62-86.

Bex, Sean. “Marketing Professionalism: The Transatlantic Authorship of Edith Wharton.” Neophilologus, vol. 100, no. 3, 2016, pp. 503-519.

Asya, Ferda. “Motifs of Anarchism in Edith Wharton’s.” Edith Wharton and Cosmopolitanism, edited by Meredith L. Goldsmith et al., University Press of Florida, 2016, pp. 38-61.

“From the Archives [Special Section].” Edith Wharton Review, vol. 32, no. 1-2, 2016, pp. 57-79, http://www.jstor.org/stable/10.5325/editwharrevi.32.1-2.issue-2.

“Wharton and Sex [Special Section].” Edith Wharton Review, vol. 32, no. 1-2, 2016, pp. 1-56, http://www.jstor.org/stable/10.5325/editwharrevi.32.1-2.issue-2.

2015

Towheed, Shafquat. “Reading the Great War: An Examination of Edith Wharton’s Reading and Responses, 1914-1918.” New Directions in Book History, edited by Shafquat Towheed and Edmund G. C. King, Palgrave Macmillan, 2015, pp. xi, 266.

Totten, Gary. “Wharton’s Wild West: Undine Spragg and Dakota Divorce Culture: Beinecke Research Report.” Edith Wharton Review, vol. 31, no. 1-2, 2015, pp. 93-96.

Thomson, Shawn. “Lady Castaways in the Gilded Age in Edith Wharton’s.” Dqr Studies in Literature, edited by Brigitte Juez and Olga Springer, Brill/Rodopi; Editions Rodopi B.V.; Brill Academic Publishers, 2015, pp. xiii, 351.

Singley, Carol J. and Joseph C. Murphy. “Wharton and Cather.” American Literary Scholarship: An Annual, 2015, pp. 95-114, http://muse.jhu.edu/article/668408.

Shumaker, Scott. The Explicator, vol. 73, no. 4, 2015, pp. 316-319.

Sakane, Takahiro. “‘A Turmoil of Contradictory Feelings’: Money, Women, and Body in Edith Wharton’s.” Textual Practice, vol. 29, no. 1, 2015, pp. 71-89.

Romagnolo, Catherine. Opening Acts: Narrative Beginnings in Twentieth-Century Feminist Fiction. University of Nebraska Press, 2015. Frontiers of Narrative.

Port, Cynthia. “Celebrity and the Epistolary Afterlife in Edith Wharton’s Early Fiction.” Edith Wharton Review, vol. 31, no. 1-2, 2015, pp. 3-28.

Orlando, Emily J. “Irreverent Intimacy: Nella Larsen’s Revisions of Edith Wharton.” Twentieth Century Literature, vol. 61, no. 1, 2015, pp. 32-62.

—. “Edith Wharton and the New Narcissism.” Women’s Studies: An Interdisciplinary Journal, vol. 44, no. 6, 2015, pp. 729-752.

Ohler, Paul. “Digital Resources and the Magazine Context of Edith Wharton’s Short Stories.” Edith Wharton Review, vol. 31, no. 1-2, 2015, pp. 57-73.

Noe, Marcia and Jeffrey Melnik. “Edith Wharton’s Invitation to Moral Awareness and Careful Reading in ‘the Other Two’.” Eureka Studies in Teaching Short Fiction, vol. 11-12, 2015, pp. 53-59.

Navarro, Lauren Christie. Foodways and Gender Relations in the American Naturalist Novel. ProQuest, 2015.

Meyer, Susan. “Contamination, Modernity, Health, and Art in Edith Wharton and Willa Cather.” Cather Studies, vol. 10, 2015, pp. 97-115, http://muse.jhu.edu/book/40625–http://www.jstor.org/stable/j.ctt1d98c6j.8.

Mendelman, Lisa. “Ambivalence and Irony: Gendered Forms in Interwar America.” Arizona Quarterly: A Journal of American Literature, Culture, and Theory, vol. 71, no. 4, 2015, pp. 23-52, http://muse.jhu.edu/journals/arizona-quarterly-a-journal-of-american-literature-culture-and-theory/v071/71.4.mendelman.html.

McParland, Robert. Beyond Gatsby: How Fitzgerald, Hemingway, and Writers of the 1920s Shaped American Culture. Rowman & Littlefield Publishers, 2015. Contemporary American Literature.

Liming, Sheila. “Suffer the Little Vixens: Sex and Realist Terror in ‘Jazz Age’ America.” Journal of Modern Literature, vol. 38, no. 3, 2015, pp. 99-118, http://muse.jhu.edu/journals/journal-of-modern-literature/v038/38.3.liming.html.

—. “A Month at the Mount.” Edith Wharton Review, vol. 31, no. 1-2, 2015, pp. 88-92.

Li, Jin. “Satirizing American Vainglory and Greed in Edith Wharton’s ‘Velvet Ear-Pads’.” The Explicator, vol. 73, no. 1, 2015, pp. 61-64.

Lee, Hermione. Library of America, 2015. Library of America.

Jacobsen, Ann. “Edith Wharton’s Houses Full of Rooms.” Women’s Studies: An Interdisciplinary Journal, vol. 44, no. 4, 2015, pp. 516-536.

Halpern, Ira. “Secret Love, Private Space, and Inner Sanctuary: The Concealed In.” The Explicator, vol. 73, no. 2, 2015, pp. 133-136.

Girling, Anna. “‘Agrope among Alien Forces’: Alchemical Transformations and Capitalist Transactions in Edith Wharton’s.” Edith Wharton Review, vol. 31, no. 1-2, 2015, pp. 74-87.

—. “The Touch of a Vanished Hand: Edith Wharton’s Fraught Relationship with John Murray.” TLS: The Times Literary Supplement, vol. 5856, 2015, pp. 13-15.

Drizou, Myrto. “Citizenship in the “Land of Letters”: Edith Wharton’s Literary Home in Exile.” Critical Insights, edited by Jeff Birkenstein and Robert C. Hauhart, Salem Press; Grey House Publishing, 2015, pp. xxxii, 268.

Dawson, Melanie. Emotional Reinventions: Realist-Era Representations Beyond Sympathy. University of Michigan Press, 2015.

Crowley, John W. American Literary Realism, vol. 48, no. 1, 2015, pp. 79-83, http://muse.jhu.edu/journals/american-literary-realism/v048/48.1.crowley.html.

Clarke, Deborah. “Modernist Domesticity: Reconciling the Paradox in Edith Wharton, Willa Cather, and Nella Larsen.” A History of the Modernist Novel, edited by Gregory Castle, Cambridge University Press, 2015, pp. xvi, 532.

Burden, Robert. Travel, Modernism and Modernity. Ashgate Publishing Co., 2015.

Boyle, Elizabeth A. “‘Becoming a Part of Her Innermost Being’: Gender, Mass-Production, and the Evolution of Department Store Culture in Edith Wharton’s ‘Bunner Sisters’.” American Literary Realism, vol. 47, no. 3, 2015, pp. 203-218, http://muse.jhu.edu/journals/american-literary-realism/v047/47.3.boyle.html.

Beer, Janet and Avril Horner. “‘The Great Panorama’: Edith Wharton as Historical Novelist.” Modern Language Review, vol. 110, no. 1, 2015, pp. 69-84, 313, http://www.jstor.org/stable/pdf/10.5699/modelangrevi.110.1.0069.pdf.

Bannett, Nina. “Reclaiming Sentimentalism in Edith Wharton’s.” Edith Wharton Review, vol. 31, no. 1-2, 2015, pp. 29-56.

Baltrum, James. “The Benedick, Bachelorhood, and Edith Wharton’s Classified (Re)Invention of the Heterosexual Male In.” The Explicator, vol. 73, no. 4, 2015, pp. 290-295.

Balestra, Gianfranca. “&Laquo; Cappelli Di Parigi E Idee Di New York “: La Moda Francese Nella Narrativa Di Edith Wharton.” Di/Segni, edited by Marco Modenesi et al., Ledizioni-Ledipublishing on behalf of the Department of Foreign Languages and Literatures of the University of Milan, 2015, p. 652.

2014

Zunshine, Lisa. “Theory of Mind as a Pedagogical Tool.” Interdisciplinary Literary Studies: A Journal of Criticism and Theory, vol. 16, no. 1, 2014, pp. 89-109, http://muse.jhu.edu/journals/interdisciplinary-literary-studies/v016/16.1.zunshine.html.

Wood, Bethany. Capital Complex: Valuations of Femininity in 1920s Stage Adaptations from Women’s Culture. ProQuest, 2014.

Werf, Els van der. “Edith Wharton in Dutch Translation.” Edith Wharton Review, vol. 30, no. 2, 2014, pp. 16-30, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.30.2.0016.pdf.

Waid, Candace. “A Letter from the Past to the Future, or Some Observations in ‘Casual Voice’ About the Field of Wharton Studies.” Edith Wharton Review, vol. 30, no. 1, 2014, pp. 93-96, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.30.1.0093.pdf.

Trafton, Math. The Ghostmodern: Revisionist Haunting in Turn-of-the-Century American Literature (1887-1910). ProQuest, 2014.

Toth, Margaret. “Shaping Modern Bodies: Edith Wharton on Weight, Dieting, and Visual Media.” MFS: Modern Fiction Studies, vol. 60, no. 4, 2014, pp. 711-739, http://muse.jhu.edu/journals/modern-fiction-studies/v060/60.4.toth.html.

Singley, Carol J. and Robert Thacker. “Wharton and Cather.” American Literary Scholarship: An Annual, 2014, pp. 113-127, http://muse.jhu.edu/article/632317.

Singley, Carol J. “Claire Mcmillan and Francesca Segal Pay Tribute to Edith Wharton’s.” Edith Wharton Review, vol. 30, no. 1, 2014, pp. 61-75, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.30.1.0061.pdf.

Shaffer-Koros, Carole M. “Wharton Studies: A Backward and Forward Glance.” Edith Wharton Review, vol. 30, no. 1, 2014, pp. 89-91, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.30.1.0089.pdf.

Schmidt, Michael. The Novel: A Biography. Belknap Harvard University Press, 2014.

Saunders, Judith P. “Wharton’s.” Connotations: A Journal for Critical Debate, vol. 24, no. 2, 2014, pp. 187-216, http://www.connotations.de/.

Robinson, Linda A. Popular Culture Review, vol. 25, no. 1, 2014, pp. 123-137.

Pielak, Chase. “Edith Wharton: Engaging the Life Aquatic.” Edith Wharton Review, vol. 30, no. 2, 2014, pp. 31-42, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.30.2.0031.pdf.

Peters-Golden, Rebecca. Modern Gothic Realism: How America Became Generic. ProQuest, 2014.

Parker, Melissa Pluta. ‘The Hollow Men’: Divorce and Manhood in the Novels of Howells, James, and Wharton. ProQuest, 2014.

Olin-Ammentorp, Julie. “‘It Is Either Nothing or Far More Than They Know’: Thirty Years of Edith Wharton Studies.” Edith Wharton Review, vol. 30, no. 1, 2014, pp. 83-87, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.30.1.0083.pdf.

Ohler, Paul. “Darwinism and the ‘Stored Beauty’ of Culture in Edith Wharton’s Writing.” America’s Darwin: Darwinian Theory and U. S. Literary Culture, edited by Tina Gianquitto and Lydia Fisher, University of Georgia Press, 2014, pp. vi, 401.

Maguire, Leanne. “Decadence and Disability: Capital Degeneration in the New York of Edith Wharton and F. Scott Fitzgerald.” Edith Wharton Review, vol. 30, no. 1, 2014, pp. 29-43, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.30.1.0029.pdf.

Lekesizalin, Ferma. “Manipulation and Venturing Spirit in Edith Wharton’s.” Interactions: Ege Journal of British and American Studies/Ege Ingiliz ve Amerikan Incelemeleri Dergisi, vol. 23, no. 1-2, 2014, pp. 169-177.

Krumholtz, Matthew. “Henry James’s Straight Talking Style.” The Henry James Review, vol. 35, no. 3, 2014, pp. 232-239, http://muse.jhu.edu/journals/henry-james-review/v035/35.3.krumholtz.html.

Jennings, Randee Dax. From Slums to Skyscrapers: The Transient Properties of Modern Literature. ProQuest, 2014.

Hellman, Caroline Chamberlin. “A Moveable Self: Edith Wharton’s Library and Its Return to the Mount.” Edith Wharton Review, vol. 30, no. 2, 2014, pp. 1-15, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.30.2.0001.pdf.

Goodman, Susan. “A Novel for All Seasons.” Edith Wharton Review, vol. 30, no. 1, 2014, pp. 3-8, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.30.1.0003.pdf.

Glennon, Jenny. “The Custom of Main Street: Wharton, Sinclair Lewis, and Middle-Class Taste.” Edith Wharton Review, vol. 30, no. 1, 2014, pp. 45-59, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.30.1.0045.pdf.

Ghosh, Srijani. From Chantilly Lace to Chanel: Commodity Worship in Chick Lit. ProQuest, 2014.

Ferruggia, Gabriella. “A Country of Dust and Ashes: Edith Wharton’s.” Studi E Testi Di Palazzo Serra, edited by Luisa Villa, Aracne Editrice, 2014, p. 215.

Farca, Paula Anca. “Lacan Frames Scorsese’s Paintings In.” American, British, and Canadian Studies, vol. 23, 2014, pp. 40-59.

Dorson, James. “Intimate Exchanges: Work, Affect, and Exploitation in Edith Wharton’s.” American Studies in Scandinavia, vol. 46, no. 1, 2014, pp. 55-68.

De Vera, Samantha. “The Pharisees of Old New York in Edith Wharton’s.” The Explicator, vol. 72, no. 4, 2014, pp. 316-319.

Dawson, Melanie. “The Limits of the Cosmopolitan Experience in Wharton’s.” Legacy: A Journal of American Women Writers, vol. 31, no. 2, 2014, pp. 258-280, http://muse.jhu.edu/journals/legacy/v031/31.2.dawson.html–http://www.jstor.org/stable/10.5250/legacy.31.2.0258.

Cheylan, Alice Bailey. “Edith Wharton’s France.” B. A. S.: British and American Studies/Revista de Studii Britanice si Americane, vol. 20, 2014, pp. 21-25.

Boyd, Ailsa. “From the ‘Looey Suite’ to the Faubourg: The Ascent of Undine Spragg.” Edith Wharton Review, vol. 30, no. 1, 2014, pp. 9-28, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.30.1.0009.pdf.

Boesenberg, Eva. “Sex and the City: Gender and Consumption in Late Nineteenth-Century Fiction.” Anglistik und Englischunterricht, vol. 82, 2014, pp. 153-169.

Blazek, William and Laura Rattray. Edith Wharton Review, vol. 30, no. 1, 2014, pp. 1-59, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.30.1.0001.pdf.

Bauer, Dale M. “Future Wharton Studies.” Edith Wharton Review, vol. 30, no. 1, 2014, pp. 77-81, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.30.1.0077.pdf.

Baptista, Cristina J. Aura, Ambivalence, and Allure: The Portuguese in Modern American Literary Spaces. ProQuest, 2014.

Ball, David M. False Starts: The Rhetoric of Failure and the Making of American Modernism. Northwestern University Press, 2014.

Baillon, Jean-Francois. Etudes Anglaises: Revue du Monde Anglophone, vol. 67, no. 1, 2014, pp. 53-65.

2013

Journal of the Short Story in English n°58,
Presses Universitaires d’Angers.
A special issue on the Short Stories of Edith Wharton. Guest editor Virginia Ricard.

To order, contact catherine.dupuy@univ-angers.fr at the Presses Universitaires d’Angers.

Contents:

Linda Collinge-Germain, Foreword

Virginia Ricard, Introduction

Sarah Whitehead, Make It Short: Edith Wharton’s Modernist Practices in her Short Stories

David Malcolm, Breaches of Realist Conventions in Edith Wharton’s Short Fiction

Robin Peel, Realism and Ritual in the Italian Short Stories of Edith Wharton

Audrey Giboux, The Epistolary Motif and Literary Creation in Edith Wharton’s Short Stories: Narrative, Aesthetic and Moral Issues

Agnès Berbinau-Dezalay. Reading and Readers in Edith Wharton’s Short Stories

Joanna Scutts, “Writing a War Story”: The Female Author and the Challenge of Witnessing

William Blazek, Reading the Ruins: “Coming Home,” Wharton’s Atrocity Story of the First World War

Gary Totten, Imagining the American West in Wharton’s Short Fiction

Nancy Von Rosk, Prince Charming or Animal Bridegroom?: Fairy Tale Elements in Edith Wharton’s “Bunner Sisters”

Jennifer Haytock, The Dogs of “Kerfol”: Animals, Authorship, and Wharton

Gina Rossetti, Old Entanglements: Spectral Spouses in Edith Wharton’s “The Other Two” and “Pomegranate Seed”

Michael Pantazzi, A Face of One’s Own: Edith Wharton and the Portrait in her Short Fiction

Brigitte Zaugg,The Art of Irresolution in Edith Wharton’s “The Lady’s Maid’s Bell”

Joseph Urbas, “Sermons in Stone”: Théophile Gautier’s Emaux et Camées and Edith Wharton’s “The Eyes”

Virginia Ricard,Bibliography

Solan, Yair. “‘Striking Stereopticon Views’: Edith Wharton’s ‘Bunner Sisters’ and Nineteenth-Century Magic Lantern Entertainment.” Studies in American Naturalism 7.2 (2012): 135-150. Print.

Butterworth-McDermott, Christine. “Lustful Fathers and False Princes: ‘Cinderella’ and ‘Donkeyskin’ Motifs in Edith Wharton’s Summer and Katherine Mansfield’s Short Stories. Katherine Mansfield Studies. 4.1 (Fall 2012): 63-78.

Scanlan, Sean. “Going No Place? Foregrounding Nostalgia and Psychological Spaces in Wharton’s The House of Mirth.” Style 44.1-2 (2010): 207-229. Print (and online at: http://www.engl.niu.edu/ojs/index.php/style/article/view/113).

Please list Edith Wharton at Home: Life at The Mount with your recent publications. It was written by the architectural historian Richard Guy Wilson with a foreword by Pauline Metcalf. John Arthur did the contemporary photography.
The book was published in September 2012 by Monacelli Press and is listed on their website.

Wierzbicki, Kaye. “Edith Wharton Society Mount Research Award.” Edith Wharton Review, vol. 29, no. 1, 2013, pp. 35-37, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.29.1.0035.pdf.

Wentzel, Rocki. “Classical Reception in Edith Wharton’s Late Fiction.” Edith Wharton Review, vol. 29, no. 1, 2013, pp. 20-32, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.29.1.0020.pdf.

Wagner, Johanna M. and Marysa Demoor. “The Slippery Slope of Interpellation: Framing Hero and Victim in Edith Wharton’s.” Neophilologus, vol. 97, no. 2, 2013, pp. 417-435.

Vala, Madeleine A. “‘A Grim Fascination’: Newspapers and Edith Wharton’s.” Edith Wharton Review, vol. 29, no. 2, 2013, pp. 1-25, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.29.2.0001.pdf.

Totten, Gary. “Teaching Cluster [Special Section].” Edith Wharton Review, vol. 29, no. 1, 2013, pp. 1-32, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.29.1.fm.pdf.

—. “The Dialectic of History and Technology in Edith Wharton’s.” Studies in Travel Writing, vol. 17, no. 2, 2013, pp. 133-144.

Tajibaeva, Janna S. Consumer Culture, Material Desires, and Images of Women in American Novels and Art at the Turn of the 20th Century. ProQuest, 2013.

Straaf, Maria. “Inventing Contemporary Meaning of a Lived Life: Edith Wharton, Biography with the Young Reader in Mind.” Trans: Revue de Litterature Generale et Comparee, vol. 15, 2013, p. 29 paragraphs.

Smokler, Kevin. Practical Classics: 50 Reasons to Reread 50 Books You Haven’t Touched since High School. Prometheus Books, 2013.

Singley, Carol J. and Robert Thacker. “Wharton and Cather.” American Literary Scholarship: An Annual, 2013, pp. 125-143, http://muse.jhu.edu/journals/american-literary-scholarship/v2013/2013.singley.html.

Singley, Carol J. “Change at Stake: Teaching Edith Wharton’s Late Fiction.” Edith Wharton Review, vol. 29, no. 1, 2013, pp. 1-7, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.29.1.0001.pdf.

Sherman, Sarah Way. Sacramental Shopping: Louisa May Alcott, Edith Wharton, and the Spirit of Modern Consumerism. University of New Hampshire Press, 2013. Becoming Modern.

Schmidt, Shannon Mckenna and Joni Rendon. Writers between the Covers: The Scandalous Romantic Lives of Legendary Literary Casanovas, Coquettes, and Cads. Plume Books, 2013.

Rix, Alicia. “‘The Lives of Others’: Motoring in Henry James’s ‘the Velvet Glove’.” Journal of Modern Literature, vol. 36, no. 3, 2013, pp. 31-49, http://muse.jhu.edu/journals/journal-of-modern-literature/v036/36.3.rix.html.

Ridge, Emily. “Workmanship and Wildness: Katherine Mansfield on Edith Wharton’s.” Katherine Mansfield Studies, edited by Janet Wilson et al., Edinburgh University Press, 2013, pp. xi, 210.

Murillo, Cynthia. “The Spirit of Rebellion: The Transformative Power of the Ghostly Double in Gilman, Spofford, and Wharton.” Women’s Studies: An Interdisciplinary Journal, vol. 42, no. 7, 2013, pp. 755-781.

Morato Agrafojo, Yolanda. “More Than a War Correspondent: Edith Wharton’s Chronicles About French Civilians in the Great War and the Beginning of Citizen Journalism.” Oceanide, vol. 5, 2013, p. 7 pages.

Miquel-Baldellou, Marta. Paris in American Literatures: On Distance as a Literary Resource, edited by Jeffrey Herlihy-Mera and Vamsi K. Koneru, Fairleigh Dickinson University Press, 2013, pp. xxiv, 163.

Michael, Krystyna. “‘A Break in the Continuity’: Chaos, Control, and Wharton’s Commitment to Form.” Edith Wharton Review, vol. 29, no. 2, 2013, pp. 27-50, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.29.2.0027.pdf.

McCallum, E. L. “The Informational Subject in Formation: Telephonic Subjectivity in Wharton and Gaddis.” Technoculture: An Online Journal of Technology in Society, vol. 3, 2013, http://tcjournal.org.

Leichner, Amber Harris. ‘To Bend without Breaking’: American Women’s Authorship and the New Woman, 1900-1935. ProQuest, 2013.

Kornasky, Linda. “‘To Go into Partnership’: Gender, Class, Ethnicity, and the American Dream in Edith Wharton’s.” Critical Insights, edited by Keith Newlin, Salem Press; Grey House Publishing, 2013, pp. xii, 266.

—. “Edith Wharton’s.” Edith Wharton Review, vol. 29, no. 1, 2013, pp. 11-20, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.29.1.0011.pdf.

Knights, Pamela. “Edith Wharton.” Cambridge Companions to Literature, edited by Timothy Parrish, Cambridge University Press, 2013, pp. xxxiv, 328.

Hughes, Margaret I. “The Emotional Education of the Reader: A Progression through Works and Time.” Journal of Aesthetic Education, vol. 47, no. 4, 2013, pp. 14-26, http://muse.jhu.edu/journals/the-journal-of-aesthetic-education/v047/47.4.hughes.html.

Howard, Jeffrey. “Trading Places in Domestic Spaces: Edith Wharton’s ‘the Other Two’.” The Explicator, vol. 71, no. 3, 2013, pp. 184-187.

Hamper, Margaret Bertucci. “‘The Poor Little Working Girl’: The New Woman, Chloral, and Motherhood In.” ASEBL Journal, vol. 9, no. 1, 2013, pp. 19-22, http://asebl.blogspot.com/.

Goodman, Susan. “Bearing Witness: Edith Wharton’s.” Mosaic: An Interdisciplinary Critical Journal, vol. 46, no. 2, 2013, pp. 87-103, http://muse.jhu.edu/journals/mosaic/v046/46.2.goodman.html.

Goldsmith, Meredith. Edith Wharton Review, vol. 29, no. 1, 2013, pp. 7-11, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.29.1.0007.pdf.

Goldman-Price, Irene. “From the Archives: Two Letters from Harry Jones to Anna Foster About Wharton’s near-Fatal Illness.” Edith Wharton Review, vol. 29, no. 1, 2013, pp. 37-39, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.29.1.0037.pdf.

Glennon, Jenny. “Toward a Brighter Vision of ‘American Ways and Their Meaning’: Edith Wharton and the Americanization of Europe after the First World War.” American Writers in Europe: 1850 to the Present, edited by Ferda Asya and Diane Johnson, Palgrave Macmillan, 2013, pp. viii, 247.

Evans, Anne-Marie. “Fashionable Females: Women, Clothes, and Culture in New York.” Comparative American Studies: An International Journal, vol. 11, no. 4, 2013, pp. 361-373.

Eubanks, Peter. “Mixite and Maturity in Edith Warton’s.” Contemporary French and Francophone Studies, vol. 17, no. 2, 2013, pp. 212-219.

Ellis, Jim. “Temporality and Queer Consciousness In.” Queer Love in Film and Television: Critical Essays, edited by Pamela Demory and Christopher Pullen, Palgrave Macmillan, 2013, pp. xiv, 277.

Durkin, Katelyn. “The (Re)Production Craze: Taylorism and Regress in Edith Wharton’s.” Edith Wharton Review, vol. 29, no. 2, 2013, pp. 51-74, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.29.2.0051.pdf.

Dell’olio, Aurelie. “Regards Croises En Mediterranee: Une Etude Comparee Des Styles Et Des Caracteres Chez Edith Wharton.” Babel: Litteratures Plurielles, vol. 28, 2013, pp. 87-108, http://babel.revues.org/.

De Bruyn, Ben. “Where to Do Things with Words: Circulating Books, Decorating Rooms and Locating Modern Reading.” Orbis Litterarum: International Review of Literary Studies, vol. 68, no. 6, 2013, pp. 457-472.

Dawson, Melanie. “Edith Wharton Collection Research Report: Beinecke Library, Yale University.” Edith Wharton Review, vol. 29, no. 1, 2013, pp. 34-35, http://www.jstor.org/stable/pdf/10.5325/editwharrevi.29.1.0034.pdf.

Crowley, John W. “Revaluation.” Sewanee Review, vol. 121, no. 3, 2013, pp. 427-432, http://muse.jhu.edu/journals/sewanee-review/v121/121.3.crowley.html.

Combs-Vanderlaan, Kim. “Sexual Politics in Wharton’s.” Impost: A Journal of Critical and Creative Work, vol. 10, 2013, pp. 78-101, http://www.eapsu.org/Impost.

Campbell, Donna. “The Ghost Story as Structure in Edith Wharton’s ‘the Other Two’.” The Explicator, vol. 71, no. 1, 2013, pp. 69-72.

Bloom, Carl. Evidence of Anxiety: Women’s Agency and Engagement Law in American Literature and Film, 1880-1935. ProQuest, 2013.

Beacom, Elizabeth Currier. The ‘Secret Garden’ and the Marketplace: Private and Public Space in Edith Wharton’s Nonfiction. ProQuest, 2013.

Asya, Ferda. “American Writers in Paris Exploring the ‘Unknown’ in Their Own Time: Edith Wharton’s.” American Writers in Europe: 1850 to the Present, edited by Ferda Asya and Diane Johnson, Palgrave Macmillan, 2013, pp. viii, 247.

Altug, Zeynep Asya. “Gercekci Ve Dogalci Amerikan Romaninda Birey Ve Uygarlik Catismasi.” Turkbilim, vol. 13, 2013, pp. 1-20.

2012

Alsop, Elizabeth. “Refusal to Tell: Withholding Heroines in Hawthorne, Wharton, and Coetzee.” College Literature 39 3 (2012): 84-105. Print.

Boyd, Ailsa. “‘The Decoration of Houses’: The American Homes of Edith Wharton.’ The Journal of the Decorative Arts Society 30 (2006): 76-93. PrintNew

Brivic, Sheldon. “The Lacanian Phallus and the Lesbian One in Wharton’s ‘Xingu’.” Journal of Modern Literature 35 2 (2012): 25-36. Print.

Butterworth-McDermott, Christine. “Lustful Fathers and False Princes: ‘Cinderella’ and ‘Donkeyskin’ Motifs in Edith Wharton’s Summer and Katherine Mansfield’s Short Stories. Katherine Mansfield Studies. 4.1 (Fall 2012): 63-78.New

Campbell, Donna. “Edith Wharton Meets Aquaman: The Glimpses of the Moon and Imperiled Male Culture in Entourage.” Journal of Popular Culture 45 6 (2012): 1152-68. Print. New

Evron, Nir. “Realism, Irony and Morality in Edith Wharton’s the Age of Innocence.” Journal of Modern Literature 35 2 (2012): 37-51. Print.

Hans, Julia Boissoneau. The Transparent Mask: American Women’s Satire 1900-1933. 2012. Print.

Jessee, Margaret Jay. “Trying It On: Narration and Masking in the Age of Innocence.” Journal of Modern Literature 36 1 (2012): 37-52. Print. New

Knights, Pamela. “Edith Wharton’s ‘Venetian Backgrounds.'” Venice and the Cultural Imagination: “This Strange Dream upon the Water.” Ed. Michael O’Neill, Mark Sandy and Sarah Wootton. London: Pickering, 2012. 109-26, 186-9. PRINT.

Knights, Pamela. “Edith Wharton.” A Companion to Twentieth-Century United States Fiction. Ed. David Seed. Chichester: Wiley-Blackwell, 2010. 209-18. PRINT.

Mayne, Michael. “Place and Agency in the House of Mirth.” Journal of Narrative Theory 42 1 (2012): 1-20. Print.New

Monteiro, George. “‘Good Country People’: Stories by Louise Clarkson and Edith Wharton.” American Literary Realism 44 3 (2012): 271-76. Print.

Peleato, Floreal. “Supreme Renoncement: Le Temps De L’innocence.” Positif: Revue Mensuelle de Cinema 619 (2012): 110-12. Print.

Powell, Laura L. Sew Speak! Needlework as the Voice of Ideology Critique in ‘the Scarlet Letter’, ‘a New England Nun’, and ‘the Age of Innocence’. 2012. PrintNew

Shinbrot, Victoria. “Risk and Subversion in Edith Wharton’s the House of Mirth.” Orbis Litterarum: International Review of Literary Studies 67 1 (2012): 39-60. Print.

Bendixen, Alfred. A Companion to the American Novel. 2012.

Puskar, Jason Robert. Accident Society : Fiction, Collectivity, and the Production of Chance. Stanford, California: Stanford University Press, 2012. Print.

Wharton, Edith, Anna Catherine Bahlmann, and Irene C. Goldman-Price. My Dear Governes : The Letters of Edith Wharton to Anna Bahlmann. New Haven: Yale University Press, 2012. Print.

Williams, Jason Richard. Competing Visions: Women Writers and Male Illustrators in the Golden Age of Illustration. 2012. Print.