Rosedale in Love has been reissued with a new Foreword and Afterword by the author, and is available at Amazon and B&N for Kindle and Nook. Watch the book trailer.
In the glittering world of money-mad 1905 New York City, Jewish financier Simon Rosedale plans to force his way into high society through marriage and has his eye on Lily Bart. One of the most beautiful women in the city, Lily is a down-at-heels aristocrat plagued by gossip and might be vulnerable to his proposal. With his money and her style and connections, he can rise to the top—but will she lower herself to marry a Jew? Could such a marriage heal Rosedale’s secret shame, and will Florence Goodhart, the cousin who adores Rosedale, help or hinder his plans? Written in a period voice, Rosedale in Love audaciously revisions Edith Wharton’s beloved classic The House of Mirth, offering readers a timeless American story of greed, envy, scandal, love and revenge.
Lev Raphael is a prize-winning author, reviewer, and blogger who has published 26 books in a wide range of genres and seen his work translated into over a dozen languages. A former student of Wharton biographer Cynthia Griffin Wolff, Raphael has been reading and teaching Wharton for decades. He’s written a highly regarded biography/critical study of Wharton as well as an acclaimed comic mystery, The Edith Wharton Murders, that delves into the politics around her reputation. Special Archives at Michigan State University’s Library has purchased his literary papers in recognition of his contributions to American Literature.
“Richly textured and darkly witty, Rosedale in Love explores the inner life of outsiders, to whom the hidden give-and-take of high society is a language to be struggled with, for whom external wealth and inner impoverishment go hand in hand. Lev Raphael catches the subtlety of Wharton’s original, and enriches her exploration of a story in which love pulls against ambition, and shame is a daily taste in the mouth.”—Laurie R. King, author of Pirate King
Nir Evron writes: “I was hoping to bring my book, The Blossom Which We Are: The Novel and the Transience of Cultural Worlds (just out with State University of New York Press), to the attention of the Wharton Society. In this comparative and multilingual study, I trace the vicissitudes of the trope of cultural extinction from its first appearance in the mid eighteenth century till the late twentieth century, with special emphasis on this theme’s significance for our understanding of the development of literary realism and regionalism. Edith Wharton, whose career makes up my first twentieth-century case study, plays a central role in the book’s argument. My hope is that book will demonstrate what can be gained by placing Wharton in a context that stretches beyond American literature, and which reaches back to literary developments that took place long before she embarked on her writing career.”
L’Amérique au tournantLa place des États-Unis dans la littérature française (1890-1920)
Includes this article by Virginia Ricard:
Edith Wharton au tournant
Abstract: En 1907, la traduction en français du premier grand roman d’Edith Wharton, Chez les heureux du monde, donne l’impression qu’elle est acquise à l’antiaméricanisme, puisque, en présentant des personnages riches, brutaux et insensibles, elle contribue à diffuser une image négative des États-Unis en France. Après août 1914, elle parle même d’un « retard » des Américains. Mais l’entrée en guerre des États-Unis conduit Wharton à regarder d’un autre œil la contribution de l’Amérique à l’histoire humaine.
Nick Hoffman / Academic Mystery Series continues THE EDITH WHARTON MURDERS by Lev Raphael
LOS ANGELES—June 9, 2020—ReQueered Tales is restoring award-winning gay and lesbian fiction to print with a focus on mystery, literary and sci-fi genres. Since May 2019, we’ve reintroduced twelve authors to old friends and a new generation of readers. Lev Raphael returns with book two in his Nick Hoffman series – “THE EDITH WHARTON MURDERS”.
“Is vulgar literary taste sufficient motive for murder? Actually, killing is too kind for the vindictive scholars in Lev Raphael’s maliciously funny campus mystery The Edith Wharton Murders.” — Marilyn Stasio, The New York Times Book Review
Nick Hoffman, desperate to get tenure, has been saddled with a thankless task: coordinating a conference on Edith Wharton that will demonstrate how his department and his university supports women’s issues. There’s been widespread criticism that SUM is really the State University of Men. Problem is, he’s forced to invite two warring Wharton societies, and the conflict between rival scholars escalates from mudslinging to murder. Nick’s job and whole career are on the line unless he can help solve the case and salvage the conference.
“A savagely funny satire of academic pretensions and posturings.
Definitely on my list of the year’s best!” – Dean James, Simon Kirby-Jones series
Originally published in 1998, this new edition contains a 2020 foreword by Gregory Ashe as well as a new introduction by the author.
THE EDITH WHARTON MURDERS, A Nick Hoffman / Academic Mystery by Lev Raphael 278 pgs • ISBN 978-1-951092-22-1 • https://amzn.to/3cPyi2p
Trade Paperback: US $16.95 • CAN $21.95 • UK £13.95
E-book: US $5.95 • CAN $7.95 • UK £4.95 • EU €5.95 • AU $8.95
In 1900, Edith Wharton burst into the settled summer colony of Lenox. An aspiring novelist in her thirties, she was already a ferocious aesthete and intellect. She and her husband, Teddy, planned a defiantly classical villa, and she became a bestselling author with The House of Mirth in 1905. As a hostess, designer, gardener and writer, Wharton set high standards that delighted many, including Ambassador Joseph Choate and sculptor Daniel Chester French. But her perceptive and sometimes indiscreet pen also alienated potent figures like Emily Vanderbilt Sloane and Georgiana Welles Sargent. Author Cornelia Brooke Gilder gives an insider’s glimpse of the community’s reaction to this disruptive star during her tumultuous Lenox decade.
I’m contacting you about my recently published novel, The Night of All Souls, a mystery about words from the past. In this novel, Edith Wharton is variously reimagined: as a host in the afterlife, a historical figure in a modern novella, and as an elusive presence in the pages of her own writing. Published by Penguin NZ, I’m hoping you will be interested to know more:
And finally, I’ve recently published an article on why, in this age of a pandemic, we need Edith Wharton more than ever. (Please note that I wasn’t responsible for the photograph captions – I do realise the W.25th Street living room belonged to her mother, and that Edith wrote an entire book on home decoration that repudiated Lucretia’s taste in furnishings!)
The Inadvertent Researcher is a beautifully illustrated, fascinating, and unusual detective book. It takes us on a compelling search through the worlds of 19th century society, literature, art, and journalism, as it discovers the hidden story behind a little-known Edith Wharton novella and brings to life the world and people of New York City and beyond in the Gilded Age. It gives its readers a delightful and highly recommended journey from a once famous but now forgotten Puck Magazine editor-in-chief H. C. Bunner to a pioneering suburban literary village to delicate watercolors and frescos. This marvelous tale of a vanished age brings together research and history in a lively and well-written book.
Author, Editor Time-Life; Journalist The New York Times
Looking at texts written throughout the careers of Edith Wharton, Ellen La Motte, Mary Borden, Thomas Boyd, F. Scott Fitzgerald, Laurence Stallings, and Ernest Hemingway, American Writers and World War I argues that authors’ war writing continuously evolved in response to developments in their professional and personal lives.
Recent research has focused on constituencies of identity–such as gender, race, and politics–registered in American Great War writing. Rather than being dominated by their perceived membership of such socio-political categories, this study argues that writers reacted to and represented the war in complex ways which were frequently linked to the exigencies of maintaining a career as a professional author. War writing was implicated in, and influenced by, wider cultural forces such as governmental censorship, the publishing business, advertising, and the Hollywood film industry.
American Writers and World War I argues that even authors’ hallmark ‘anti-war’ works are in fact characterized by an awareness of the war’s nuanced effects on society and individuals. By tracking authors’ war writing throughout their entire careers–in well-known texts, autobiography, correspondence, and neglected works–this study contends that writers’ reactions were multifaceted, and subject to change–in response to their developments as writers and individuals. This work also uncovers the hitherto unexplored importance of American cultural and literary precedents which offered writers means of assessing the war. Ultimately, the volume argues, American World War I writing was highly personal, complex, and idiosyncratic.
Wharton, Hemingway, and the Advent of Modernism is the first collection that examines the connections linking two major American writers of the twentieth century, Edith Wharton and Ernest Hemingway. In twelve critical essays, along with a foreword and an introduction, scholars from both camps explore the authors’ overlapping interests, contexts, and aesthetic techniques. Thematic sections highlight components in each author’s works that reveal their shared association with major trends in literary modernism, focusing on stylistic and formal experimentation, the Great War, European culture (including the expatriate movement), gender roles, technological advancements, and intertextualities between literature and popular texts. Together, the essays prove that comparative studies of Wharton and Hemingway open new avenues for understanding the broader aesthetic and cultural movements central to the development of American literary modernism in the early decades of the twentieth century. Contributors include Parley Ann Boswell, Dustin Faulstick, Anna Green, Peter Hays, Jennifer Haytock, Caroline Chamberlin Hellman, Ellen Andrews Knodt, Cecilia Macheski, Milena Radeva-Costello, Laura Rattray, Sirpa Salenius, Lisa Tyler, and Linda Wagner-Martin.
Modern Sentimentalism examines how American female novelists reinvented sentimentalism in the modernist period. Just as the birth of the modern woman has long been imagined as the death of sentimental feeling, modernist literary innovation has been understood to reject sentimental aesthetics. Modern Sentimentalism reframes these perceptions of cultural evolution. Taking up icons such as the New Woman, the flapper, the free lover, the New Negro woman, and the divorcee, this book argues that these figures embody aspects of a traditional sentimentality while also recognizing sentiment as incompatible with ideals of modern selfhood. These double binds equally beleaguer the protagonists and shape the styles of writers like Willa Cather, Edith Wharton, Anita Loos, and Jessie Fauset. ‘Modern sentimentalism’ thus translates nineteenth-century conventions of sincerity and emotional fulfillment into the skeptical, self-conscious modes of interwar cultural production.
Reading canonical and under-examined novels in concert with legal briefs, scientific treatises, and other transatlantic period discourse, and combining traditional and quantitative methods of archival research, Modern Sentimentalism demonstrates that feminine feeling, far from being peripheral to twentieth-century modernism, animates its central principles and preoccupations.