CFP: EWS at ALA “Wharton, Bodies, and Mobility” Deadline 12.1.19

Edith Wharton Society Call for Papers

American Literature Association

May 21-25, 2020 San Diego, CA

Wharton, Bodies, and Mobility

The Edith Wharton Society invites papers that explore how Wharton constructs bodies in her work. Panelists might consider (but are not limited to) the following questions:

• How does the representation and/or meaning of bodies change (or not) in different places/settings?

• Who moves and who cannot, and how do bodies facilitate or hinder movement?

• How do bodies mark social acceptance and belonging?

• How does Wharton represent classed or raced bodies?

• What constitutes acceptable or unacceptable bodies?

• How do bodies coincide with upward or downward social and economic mobility?

• What role does the mobility or immobility of bodies (Wharton’s or her characters’) play in her travel writing and other nonfiction works or in depictions of travel in her fiction?

All theoretical approaches welcome, and proposals are encouraged to consider more than one of Wharton’s works, if possible. The session is organized by Gary Totten and Jennifer Haytock on behalf of the EWS. Please submit titled proposals (approx. 350 words) and a brief CV by December 1, 2019 to Jennifer Haytock at jhaytock@brockport.edu. Please include any requests for AV needs in your proposal. Scholars whose proposals are accepted must be members in good standing of the Edith Wharton Society by the time of the conference.

New Books: Audiobook of A Son at the Front

Name: Robin Siegerman

Email: robin.sieguzi@bellnet.ca

Website: http://www.RobinSiegerman.com

Where would you like this to appear? : New Books

Comment: I am an audiobook narrator and I have just completed a new recorded audiobook version of Wharton’s lesser known work, A Son at the Front, about being an American expatriate parent in Paris, of a son conscripted into the French army at the start of WWI.

The audiobook and e-book both contain an essay by Peter Buitenhuis, “Edith Wharton and the First World War” as an Afterword. His essay sheds interesting background light on Wharton’s prodigious war time charity work and provides context for her writing.

“What an incalculable sum of gifts and virtues went to make up the monster’s daily meal.” So observes American expatriate painter John Campton, whose only son is conscripted to military service in France at the beginning of WWI. In Edith Wharton’s saga, A Son at the Front, we share the character’s anguish as thousands of young men are sacrificed to the insatiable appetite of the war. The lessons are as relevant today as they were almost 100 years ago.

Available on Audible, Amazon, iTunes.

EWS Member News: Westfield Historical Society Talk set on ‘The Mysterious Death of Edgar Allan Poe’

Westfield Historical Society Talk set on ‘The Mysterious Death of Edgar Allan Poe’

As part of the Westfield Historical Society’s First Wednesday Luncheon series, Dr. Carole Shaffer-Koros, will talk about the many theories surrounding the Mysterious Death of Edgar Allan Poe on Oct. 2.

The event will begin with check-in at 11:45 a.m. at the Echo Lake Country Club, located at 515 Springfield Avenue, Westfield. Edgar Allan Poe is well known today for his Gothic horror stories as well as his poem “The Raven.”

https://www.tapinto.net/towns/westfield/articles/westfield-historical-society-talk-set-on-the-mysterious-death-of-edgar-allan-poe

Wharton in the News: Custom of the Country

From The New Yorker: 

The first time I read Edith Wharton’s novel “The Custom of the Country,” which was published in 1913, I felt at once that I had always known its protagonist and also that I had never before met anyone like her. The values of Undine Spragg—who, in the course of the novel, makes a circuitous and sinister journey from Midwestern rube to ruby-drenched new-money empress—are repulsive, and her attempts to manipulate public attention are mesmerizing. For my money, no literary antiheroine can best Undine—a dazzling monster with rose-gold hair, creamy skin, and a gaping spiritual maw that could swallow New York City. People like her have been abundant in American culture for some time, but I never feel invested in their success; more often, I idly hope for their failure. With Undine, however—thanks to the alchemical mix of sympathy and disdain that animates Wharton’s language in the novel and allows her to match Undine’s savagery with plenty of her own—I find myself wanting her to get everything she desires.

EWS Scholarly Awards: Recipients Announced

The Edith Wharton Society is pleased to announce the recipients of this year’s scholarly awards.  We also wish to thank two evaluation teams, the first of which was composed of Jennifer Haytock (chair), Rita Bode, and Paul Ohler, who read the undergraduate essay submissions, which were assessed through a blind review process.  The submissions for the Archival Research Award and Elsa Nettels Award for a Beginning Scholar (also a blind review process) were read by a team that consisted of Myrto Drizou (chair), Katie Ahern, and Sheila Liming.  Many thanks to these thoughtful readers and to all who support the awards.  A hearty congratulations to all recipients!

Melanie Dawson

EWS President

 

 

The Archival Research Award

Rachel Walerstein, University of Iowa, for research relating to her dissertation,Masculine Gestures: Imitation and Initiation in American Modernism.

 

The Elsa Nettles Award for a Beginning Scholar

Hannah Champion, Université Bordeaux Montaigne, for “’Hold me, Gerty, hold me’: The ‘Lesbianism’ of Lily Bart.”

 

Undergraduate Essay Award  (co-winners)

Samuel McIntyre, William & Mary, for “Charity Case: The Gendered Economy of Gift-Giving in Summer.”

 

Katie Williams, William & Mary, for “Object or Owner: Navigating Identity through the Aesthetic in Wharton’s Fiction.”

 

 

New Books: Stephanie Palmer, Transatlantic Footholds: Turn-of-the-Century American Women Writers and British Reviewers (Routledge, 2019).

Stephanie Palmer, Transatlantic Footholds: Turn-of-the-Century American Women Writers and British Reviewers (Routledge, 2019).

Transatlantic Footholds: Turn-of-the-Century American Women Writers and British Reviewers analyses British reviews of American women fiction writers, essayists and poets between the periods of literary domesticity and modernism. The book demonstrates that a variety of American women writers were intelligently read in Britain during this era. British reviewers read American women as literary artists, as women and as Americans. While their notion of who counted as “women” was too limited by race and class, they eagerly read these writers for insight about how women around the world were entering debates on women’s place, the class struggle, religion, Indian policy, childrearing, and high society. In the process, by reading American women in varied ways, reviewers became hybrid and dissenting readers. The taste among British reviewers for American women’s books helped change the predominant direction that high culture flowed across the Atlantic from east-to-west to west-to-east. Britons working in London or far afield were deeply invested in the idea of “America.” “America,” their responses prove, is a transnational construct.

Publisher website: https://www.routledge.com/Transatlantic-Footholds-Turn-of-the-Century-American-Women-Writers-and/Palmer/p/book/9780367204297

CFP Edith Wharton’s New York: Deadline Extended to 9/15/19

Edith Wharton’s New York:
A Conference Sponsored by the Edith Wharton Society New Yorker Hotel
June 17th-20th 2020

EXTENDED DEADLINE: Please submit proposals no later than September 15th, 2019 to

whartonnewyork@gmail.com

Please join the Edith Wharton Society for its upcoming conference marking the centennial anniversary of the publication of Edith Wharton’s Pulitzer-Prize winning novel, The Age of Innocence. We will celebrate this momentous year in New York, the setting not only of so many of Wharton’s works but also of much of her life.

While all topics are welcome, we are particularly interested in whole panels and individual papers that focus on New York as a geographical and thematic element in Wharton’s life and works. Papers could explore the role of New York City and/or the Hudson River Valley in Wharton’s works, Wharton’s own history with the region, or Wharton’s relationship to place and space more generally. Papers that offer new readings of The Age of Innocence—such as new historical approaches or legacies of The Age of Innocence, the novel’s relationship to other works by Wharton and/or her peers, and adaptations of the novel (for film, theater, etc.)—are also welcome.

Since 1920 marks the beginning of what many consider the “later years” of Wharton’s career, examinations of Edith Wharton’s works in the shifting literary and political foundations of post- WWI society are also of interest. The 20s mark the centennial of other significant Wharton texts, and essays that examine these later works are of particular interest.

We welcome submissions for full panels of 4-5 participants and roundtables of 6-7 participants as well as individual paper submissions.

For full panel and roundtable proposals, please submit 200-350-word summaries of each presentation included in the panel or roundtable as well as a brief 50-word bio and A/V requests for each presenter.

For individual paper proposals, please submit a 350-500-word abstract, a brief 50-word bio, and A/V requests as one Word document.

All conference participants must be members of the Edith Wharton Society at the time of registration.

For additional information, contact co-directors at email address above or individually: Margaret Toth (Meg), Manhattan College margaret.toth@manhattan.edu
Margaret Jay Jessee (Jay), University of Alabama at Birmingham mjjessee@uab.edu